I can recall first the first time I watched the Dungeons & Dragons cartoon in the early 90’s and loved the idea of heroes adventuring in a fantasy world. Not comprehending the complexities of tabletop RPGs I just loved the stories and that was enough. Then I remember going to the arcades with my brother and we loved playing coop games like Metal Slug and Teenage Mutant Ninja Turtles which even allowed for up to 4 players. I would read about Dungeons & Dragons Tower of Doom that was released in 1993/94 for the legendary CPS-2 machine by Capcom, a developer and publisher all kids we all too familiar with. Tower of Doom would not be the first D&D game released by Capcom with TSR after signing their deal in 1990 which resulted shortly after in the porting of Eye of the Beholder to the SNES.
The artwork in the magazine was evocative and the cover featured the standard party with the Dwarf, Cleric, Warrior and Elf. At the time races were classes as they were using the AD&D Rules Cyclopedia rules when designing the game which also made it unlike any other side scrolling beat em up game. Not only had they gotten the rights from TSR for the system but they also were using a popular setting from the AD&D books. At the time fans of D&D had gold box computer games and other iterations of their favorite tabletop game ported to the PC but nothing that looked as good as what Capcom released and no game allowed for up to 4 players couch coop! The game would eventually see it packed with the sequel Shadows of Mystarra (Dungeons & Dragons Collection 1999) for the failed Sega Saturn console but only Japan with the removal of 4 player capabilities.
The things that made this a different gaming experience for arcade goers was that it allowed players to do more than just simple attacks, infact Capcom wanted to remain true to the abilities existing fans of the tabeltop game loved so much. Capcom would enlist the talents of video game and anime concept illustrator Kinu Nishimura (Street Fighter games and Capcom Vs SNK) while leaving the writing duties to Alex Jiminez who did great in translating the feel and narrative of Dungeons & Dragons to a more mainstream audience. Players would be able to select abilities and feats while picking up items and loot which was stowed in their inventory. Prior to this inventory functionality and the differentiation of what each character to do made this a gamechanger in the early 90’s, the last era of arcades still being relavent in gaming culture globally.
The game had miles of depth on the competition at the time, it was hard to complete and it played different depending on the choices the players made in game. A store and and the addition of a block function helped players survive a few more kobolds. D&D fans coming to arcade would be pscyhed when they saw the inclusion of their favorite spells including, magic missile, fireball, cloudkill and invisibility along with the same limitations from the book meant their exzisting knowledge would allow for them to get the game from the first quarter. Levelling up and loss of gold and points when dying made it a game where you had to think more than your would for other beat em ups like Fatal Fury or the Simpsons. The replayability of Tower of Doom and its difficulty had us dumping money into the cabinets and for those who got to see the ending at the 7th level we were amped after seeing the cliffhanger ending which hinted at a sequel.
Shadows over Mystarra would be the second Dungeons & Dragons game released for arcades in 1996, adding more to the game and expanding the choices for playable classes. The thief and magic user class were added to the joy of many D&D players. Each class had alternate costumes so two players could play as the same class if they wanted to and believe me have two casters is nothing to sneeze at in this game. Capcom also jammed in more combos for the fighting classes and threw in more spells along with diverging paths for specific classes and alternate endings added more replayability to that game that already did it right the first time around. By far the 4 possible endings for each class is something I think no game has done since.
Now that we have laid on the praise real thick with our nostalgia goggles on it is time to get into what we don’t like about the games. Seeing as the games were originally designed for the arcades it was common practise for developers for have money grab levels and cheap bosses who were so hard that you would HAVE to have a fair amount of coinage to survive. Pay to pay at it’s finest but this is truly visible when fighting the Red Dragon in the first game where you do not even see his health bar after a barrage of hits connect and his insta-death fire breath killed many one second into the encounter. Also, there were glitches in the sequeal where you could cheat through entering certain words when given the choice of naming your character along with a few other glitches which could give you powerful items helped some cheaters get their names on the highscore charts. Other than that my gripe is more with Capcom than it is with TSR which was going through hell in the 90s.
Imagine if Capcom did not sacrifice the 4 player option for the Saturn, better yet try picture them releasing these game on the Sony Playstation as a bundle in 1996? I could not find any explaination as to why Capcom would not pursue it further, one of the reasons could be that D&D did not catch on as fast or grow as much as it did in the west. Alex Jiminez who wrote the scenario for Capcom said the Japanese staff were not understanding the concept or much of the mechanics behind D&D. The heads in Tokyo even were debating whether the game should have a Western or Eastern theme prior to Alex’s arrival.
Let us recall that RPG fans in the early 90s had slim pickings for games especially when discussing consoles with Diablo 1 coming to the Playstation in 1998 with only a two player option, beating Capcom by a year for their collection which was exclusive to Japan. Baldurs Gate would not hit PCs until 1998 meaning Capcom had more than enough time to capitalize on a severely under served genre with most of the titles remaining exclusive to PC platforms. Waiting as long as 2013 to repackage and release the collection globally on most platforms seemed like a long wait and I’m pretty sure if they had ported it to the Playstation, PS2, Dreamcast, or Xbox they could have gotten some more sales and perhaps rekindled the interest of Wizards of the Coast in a time where consoles were not even a thought for developers. Proof of this is that we had to wait until 2001 before console gamers would recieve the critically acclaimed ‘Baldurs Gate: Dark Alliance’.
REMINDER: The titles listed were gamechangers and all came towards the end of the 90s, not to say there were not games on the PC and Playstation that did not have Dungeons & Dragons licensing but these products fell short of the mark when it came to graphics, replayability and never made the arcade. With the exception of Eye of the Beholder which was well reviewed no D&D computer game would make a splash prior to Baldurs Gate in 1998.
Hoping you enjoyed reading this post and we cannot recommend this enough if you have 15$ lying around give the game a shot as it is packed with nostalgia while also providing hour of fun in a familiar setting. I give this collection 9 out of 10.
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Mykal talks with one of the Italian Trio behind Medieval – Tales from Europe to bring you guys more info on the this new, exciting setting aimed for 5th Edition players looking for more realism in their tabletop rpgs.
It has been a while since we last delved into the depths of tabletop RPGs and are fortunate enough this time to bring you some firsthand testimony and insight from a designer himself, Andrea Oneglia of Tales for Gamers Publishing (wicked nice name btw) whose efforts are focused on the release of his debut RPG setting Medieval – Tales from Europe which will be hitting Kickstarter soon.
Medieval – Tales from Europe is a historical setting that wants to bring the role players into a bizarre, unpredictable and absurdly real world, soaked in esotericism and full of that fairytale atmosphere that only the Middle Ages can offer, now finally proposed in a classic manner for the world’s most famous role playing game. A low magic system with only one race, the human, and 11 new playable classes will teleport you into the tales of an ancient and tumultuous Europe. Live unbelievable chivalrous adventures mixed with fantastic and supernatural events, marked by typical epic tones and by the satirical and grotesque ones of the folk stories. Keep up to date with the latest released news, explore our contents and support the Kickstarter campaign to receive everything you need to immerse yourself in this amazing story.
What drew me in from the first glance was the artwork I saw in a post he had on a Facebook group we both are members of. I clicked and discovered that Andrea and his team were working on a 5TH Edition Setting set in the Medieval Era which is intended to give players a more immersive and realistic feel. This to me sounded awesome and the further I dug the more I was intrigued and wanted to hear more about it. With information on the project scarce I decided to reach out to the man himself and see what unfolds. Andrea replied promptly and turned out to be a pretty solid guy and upon our request to do a write up agreed with open arms and sent us what he had at the time.
Q1.) So Andrea, tell us a little about yourself? (-short points where are you from, where you grew up etc.)
I was born and raised in Italy, in a small city 20 miles away from Naples, not far from Pompei, surrounded by the sea and by cultural and architectural remains of romans and Etruscan populations. I grew up in a territory rich in history and soaked in mysticism, legends and ancient tales. I grew up with the stories my grandparents used to tell me about the saints and other spiritual beliefs, for example the Jianara (a famous witch who would sneak in your room while you sleep to choke you to death! I’ve never known why!). Most of the time, those stories turned into world war II stories, unfortunately.
Q2) When did you first embark on you journey into the roleplaying games?
The role-playing games came much later in my life, even if the gaming world in general has always been a constant since my childhood (mostly videogames). Another separate hobby of mine was reading and writing, principally science fiction and fantasy. I enjoyed writing stories about interstellar travels, multidimensional existences and a lot about medieval fantasy settings too, things like King Arthur stories or even more unrealistic as Lord of the Rings. At the age of 15 I found out there was a way to combine the two things (games and narrative) and the result was incredible! That’s how I got into the role-playing games world, starting with Dungeons and Dragons (the most popular) and having the chance to explore the others just later. D&D allowed me to bring other people, mostly my friends, into the stories I used to write, to make them see what I see and to make them live the worlds I have created, which was something I have always researched. We from Tales for Gamers Publishing believe in the artistic power these things innately possess and we want to give our contribution in helping others “live” more engaging tales, as the historical ones can be.
Q3) You are a European working in Canada, so have you come across any cultural and business differences since you have moved?
My moving to Canada was a shock I could say. We are talking about a country that turned immigration into one of its main strengths, since it’s a relatively young country that needs young professionals to grow. We can’t really say the same for Italy, where for cultural, geographical and organizational aspects immigration hasn’t been considered as a resource yet. This makes Canada a giant boiling pot where everything ferments, grows and can contribution to a diverse ecosystem. There is space and opportunities for every decent person who feels like making a difference in this world in all the fields, from science to art (there is a huge community of role-players here!). At the same time, being a young country, founded entirely on colonialist politics (that dissolved almost completely what was here before), it doesn’t share the long reaching pasts of a lot of the nation’s back in Europe. Speaking about Quebec at least (where I live), the locals still struggle to find an identity and a link with their past which translates in still keeping today a veiled, and for some traits silly, discord between the French and English cultures on the territory (the two countries who fought for the occupation in the 18th century).
Q4) So what about your setting, Medieval Tales – from Europe (Medieval, Tales from Europe) made you feel confident enough to make the bold step of crowdfunding at this early stage?
The most immediate answer I can offer is: “because I love it!” Because I am the first excited fan of this setting and I like to play it with my friends! Even at the time when the mechanics were unclear, we were already trying (spontaneously, in our game sessions) to build up a more realistic system, more theatrical and less role-standard, more human and less divine, more survival and less chill. I can honestly admit that there is nothing like this around (yet)! Yes, there are medieval settings, some of them quite good, but for one reason or another they didn’t see much success and the gamers community seems still to crave more of it in their gaming. Medieval, Tales from Europe, is also introducing new (or not explored enough!) concepts in the RPGs world (the supernatural and the fear of the unknown, the weapons as ultimate deadly instruments, the concept of ultra-specialized classes), which raised huge interest in the players I shared it with. All these things made me decide to take action, step forward and propose something different to our community of players.
Q5) 11 professions this early seems interesting and from the material you have shown they all vary and will probably feel different. I noticed that you did not shy away from including some interesting yet darker parts of European History including the Surgeon which reminds us of images of the plague. Please tell us about some of the classes and how they differ to a newcomer.
A realistic and historical setting as ours intends to be, needs to start from scratch with the classes. Most of the examples of what we have seen so far appeared inadequate for our purposes. Having the classes boil down to be no more than a fighters, better fighter, other mediocre fighters, but fighters at the end of the day (which, just to be clear, works just fine in some of the amazing and valid RPGs systems we see around, based mainly on combat). With all the respect for those great titles, those classes sounded just wrong for the setting we have started developing. I like to look upon our 11 new classes as actors on a stage, ultra-specialized, very different from one another and, most importantly, irreplaceable! If your party are short an Explorer, the other players need to work harder to compensate some of the benefits the Explorer can provide during travels and still have some needs unmet. Same for the Artist, the Rogue and all the other classes (which are called Professions in this setting). The Surgeon is for sure one of the most interesting actors on our medieval stage! He can provide useful support in sewing the wounds and in restoring your hit points and there will be no one else able to do it in such an efficient way. The Surgeon can be a sneaky danger too if under menace, since he or she knows the body’s weak points, how to damage them or use them during torture. In summary, there is nothing in common in the different Professions except they are all humans with important skills but vulnerable and never perfect; people that try to do one unique important thing: survive!
Q6) Low fantasy as a choice brings a lot with it. You have chosen to limit the playable races to only Human which I think is a pro but I am certain you must have got a few odd looks from some of the folks around the table or at the comic store. Please shed light on the decision and how you feel it will positively impact the game?
A low-fantasy system with only humans came as a crucial choice, even if drastic for some aspects, for the sake of a more realistic setting. This for us is going to add other interesting elements, not remove them as we are trying to be as true to the setting. I will try elaborate with an example. Have you ever thought about how devastating some abilities such as Darkvision (an ability in classic rpgs that allow a character to see in the dark) can be on the narration, on the suspense and the engagement you can have at the table when a character gets into a fully dark catacomb? Why there is even a torch in the starting pack of an adventurer if 70% of the classes can see in the dark and you are never going to light it up in a dungeon (and we could say the same about so many other cool but useless objects)? However, the RPG world is wide and vast, and there are players who love settings where “human issues” can be simply overcome with a snap of fingers. Medieval, Tales from Europe wants to provide an alternative support for those players who seek a more competitive game setting, where you’d better think twice in choosing your equipment if you don’t want to end up alone, frozen to the bones, in a dark cave full of venomous snakes or a bear (deadly situations even for a 20th level character in some cases). Also, these features allow for us to finally branch out for some new kind of stories we can play out around the table, such as the story of Saladin who led the Islamic forces during the Crusades, or the story of Joan of Arc and the Hundred Year war, along with many other historical events that comprise the rich history of Europe. Or those tales between myth and legends such as Robin Hood, King Arthur and Lancelot’s story, and heritage of our European culture, stories that simply need the characters to be human and far fro perfect. Is there another way you can play these scenarios with Dungeons and Dragons without the new features (and the drastic choices) Medieval, Tales from Europe is going to introduce?
Q6.2) In the brief you emailed us you highlighted that Low Magic is different to No Magic and we wanted to give you an opportunity to expand on that for our readers.
When we think about the Middle Ages it suddenly brings up dark images to ones mind such as the esotericism of forbidden doctrines and the use of occult sciences which in the Dark Ages claimed to induce supernatural effects on people and situations (a classic example is the voodoo dolls or the habit of keeping crystals or herbs in the houses to keep the malevolent spirits away). In such a scenario it’s hard to imagine a setting that doesn’t take magic into consideration in some form. At the same time, magic as we know it, described well by the fantasy settings of the past, doesn’t exist in our world and it can’t exist in a realistic setting. That’s why we had to work firstly on the concept of magic we wanted to introduce and then on the game mechanics and how to put it in player’s hands. In Medieval, Tales from Europe magic doesn’t exist, but people might interpret some weird signs and circumstance as such because they believe in it and, most importantly, they fear it! The Arcanist, one of the most magic-like Profession we have introduced, is nothing else than a trickster who is himself convinced of the reality of the effects he creates to be true. Such an insane personality can have a great impact on other people’s minds because he uses fear as a weapon, and he will find out it can be as sharp as a blade. In our setting everything is possible, all the supernatural effects can be realized but only if the character is good enough in influencing people’s mind. How does this translate in game mechanics? There will be no spell list in this new setting. We have introduced (for the first time in a tabletop RPG setting, to our knowledge!) a system where whatever supernatural effect can be created by the player itself, not combining parts or pre-generated words but simply inventing it. The Storyteller will give a score to those effects and the player will need to roll a Charisma check (Influence) to create the right grade of suggestion and make the effect appear real to those who are watching (even if it is not). Some of these tricks can have an effect as real as an arrow in the chest!
Q7) You are obviously intending to run Medieval Tales – From Europe over the Dungeons & Dragons 5 Edition rules set which is the most popular on the market. This is a two part question so sorry Andrea,
What did you like about 5E and how do you feel you added to it with your setting
As an independent publisher and creator can you tell us how it is working with an existing rules set and whether it comes with complications?
The 5th Edition is far from being a perfect setting but nothing ever is to be honest. For example, it gives the impression of going easy on players as a RPG system. I feel players are not challenged enough and a lot revolves around the combat with fewer opportunities for diversifying and customizing the characters that it’s previous editions. Even the level progression, according to the Dungeon Master’s Guide should be triggered by an insane amount of combat encounters, primarily. This being said, the system seems to have a pretty strong up-side, which deserved to be use for our setting: it is incredibly widespread (everyone plays it!) and it’s the easiest to learn, an aspect that attracts a lot of new players. As I said previously, we had to adjust some aspects of the 5th edition engine to make it suitable for a realistic setting but we kept intact most of the main backbone. We tried to make the smallest changes possible, preferring to adjust some mechanics instead of outright removing them and forcing players to learn new ones from scratch. The results are far better than what we anticipated with a more challenging and a more interpretative fashion of play compared to the basic 5th edition. Thanks to the Open-Gaming License (OGL) released by Wizard of the Coast in early 2019, the 5th edition rules are free from copyright and everyone can use them, under specific conditions and with the limitation of not including any of the world-settings the company has created for an eventual business idea. Thanks, Wizards!
Q8) Being bilingual yourself I have to ask whether or not you intend to publish in several languages other than English, perhaps Italian, Espanyol or German?
Out first choice was the Italian language, an automatic choice given the nature of content and the south-European flavor of the setting. Plus, Italy is proving lately to be infected with the bug and in Europe is leading in new role players and in new related contents including boardgame publishers. With the recent growth in popularity of boardgames, roleplaying games and the success of movies like the Avengers and shows like Stranger Things the ranks of tabletop rpg fans continue to grow daily in my home country. We decided to also publish in English in order to reach everyone else in the world and give them the chance to get immersed in the fascinating tales of our continent. If Medieval, Tales from Europe is going to be translated in other languages, it depends on many aspects, mostly the Kickstarter campaign outcome.
Q9) The artwork we have managed to see so far are distinct and reminiscent of Fantasy Novel covers in a more modern style. What is your experience and advice when it comes to reaching out to talent whether it be artists or designers, has the internet allowed for more affordable and efficient collaboration?
The power of social media and this recent RPG explosion we are having in Italy allowed me to get in touch with some great artists in the field. I had the fortune to meet the artists and got them involved in this project quite easily. I guess they saw a chance to get some more exposure (they are all still carving out their own path) and at the same time they gave me the honor of using their amazing illustrations for this project, which appear to fit our vision and one for the project! It’s mind boggling how many artists are out there online working on these types creative jobs, whether it is artwork or game-design. I see a great future for such collaborations and partnerships as more and more talent is taking their abilities online.
Q10) The last question is about the Kickstarter and what do backers get? What are you goals, what is the figure and more importantly, what do supporters get who pledge to your campaign?
We expect to see a great Kickstarter campaign in December 2019 which hopefully will turn Medieval, Tales from Europe from ideas into reality. The funds we are asking for will be entirely used in completing the project, to cover the production and shipment costs of the material we offer and the expenses in time and instruments the artists involved in this project need in order to give us their best. In defining the rewards we are going to offer in exchange of the pledges, we based the decision on a simple concept: we want the player to get what they need to start their experience with Medieval, Tales from Europe as soon as they get it in their hands, and nothing more. We believe that less is more, and we want to concentrate the material in useful products, avoiding unused gadgets. Among the rewards there will be the Player’s Guide in PDF and Hardcover format and some others contents including a one-shot adventure, a little guide for the encounters with some crucial enemies stats, famous medieval characters’ sheet, artworks and more. There will be some good deals for the early birds and for those present in our newsletter list. Most important, we will take care of the shipping cost of all the products and once the campaign is over, hopefully with a positive outcome, our backers will not be charged anything more. They will be invited in a private Facebook group where they can follow the different stages of the project, stay in touch with us the producers and just wait for the product to arrive.
Andrea’s story is one shared by many independent creators but too many allow their ideas to remain nothing more than pencil scratches on the back of a character sheet. Andrea has been thinking and working on a setting with a foundation in realism that itself is historically rich and inspiring. Himself investing into getting the artists to help bring these same ideas to life. The dancing blades that harken to the ottoman and Turkish Empires look fierce while the Warrior and Explorer remind you of the Knights of Britain and the voyages of the Spanish Fleet. This Era in European history is rife with conflict, myths, religion and intrigue so splashing in a dab of fantasy adds just enough to make it feel new and worth exploring. This game is different in the best way possible, it is supposed to be different.
We must commend Tales for Gamers Publishing for getting behind their ideas and having a vision they are pursuing. They are doing what designers could never have dreamed of twenty years ago, today they can call their friends and fans to action. Gamers have elevated crowdfunding to where it is legitimately funding bestselling products tabletop to the Xbox store and Tales for Gamers are not taking much risk. By taking their time to build more awareness for their game they can launch a Kickstarter to an interested public and audience. More important it is great to see an Italian creator and publisher aspiring to make his mark internationally with his work. This is a European project that we are certain will find it’s place at tables across the continent. Our job at Nerd Dimension is help however we can because growing up I always dreamed of being part of the industry, work within in and belong to the culture and now I do. Today we can step up and get behind creators like never before and Medieval Tales – From Europe is something that I feel has been missing from the tabletop and with our help Tales for Gamers can remedy it. We would like to salute the valiant efforts of Giovanni Laudante IT specialist of the group, Davide Santonicola the super fan who always is ready to help and last but not least collaborator Maurizio Infante.
We are going to pledge to the campaign and we invite our readers to check out their page and see what it’s about for themselves. Andrea and his team are communicative and are always looking for more people to hear about Medieval Tales so please give them a like and show them some support. I myself have been guilty of scrolling past Kickstarter posts because most of them fail for a reason but I am glad that I checked this one out. Next time you guys are going through your troll page, click on one of those posts if it seems cool because you could be helping that dream come true for somebody.
I was thrilled to cover this and expect us to have Andrea back on, this time he will appear on our podcast which will go back up when our co-host Bakreni returns so make sure you are subscribed and are following our pages to hear how everything went. Until next time reader, role deep and stop trying to pick pocket in the tavern already!
If you are new to role playing games then I hope this piece will shed some light on the hobby and help further your interest in this truly enjoyable form of social entertainment. Table Top Role Playing Games are not like other games the majority of your friends might play when they hangout in their free time as it has a heavy reliance on the players imagination and it is narrative driven, a story is unfolding throughout play and you can change the course of events by decisions taken by the player. The dice have more than 6 sides or less depending on which ones are needed to be rolled and the game is not competitive in the sense that there is a winner and looser at the end. The game also lasts longer than most traditional board or card games and is played in a way that most people have not encountered as it is vastly different to Uno, Chess or Poker. We will go deeper into the mechanics at another time but it is a very different game that offers a truly unique and fun experience for the players and game masters. I will do my best to help explain what it is we do around the table and why I enjoy it and think more people would if they tried to play TRPGs.
Role Playing Games are games in which the player takes on the role of a character of a certain class and race in often a fictional setting where they are given a quest to resolve. When generating this character you roll or calculate Points for your ability score and distribute them among your skills and attributes which is done during the character creation phase. Different classes possess different talents and abilities as do races which can include dim light vision if you were an Elf or resistance to poison if you were an Orc shaman. Classes can range from the combat focused Fighter to the versatile Wizard and Elves, Dwarves and Halflings are but some of the playable races and classes in some of these systems. These tabletop games are not merely restricted to medieval fantasy settings but those are the ones I prefer and will use them for most of my examples.
Games can be set in any era, in any environment and classes and powers vary from system to system as do the rules of play. Mutants and Masterminds is an RPG system which sees you take on the role of a super hero or villain and battle it out Marvel style while Call of Cthulhu has the players play as Investigators trying to solve a murder before dying or loosing their collective s##t in the process. Some RPGs require a gaming surface and miniature figurines for staging combat, others may use index cards to tell a story while some do not require anything but a piece of paper and is entirely spoken. RPGs come in many forms , levels of complexity and have actually been around since the 70’s with Dungeons & Dragons being the first leading name in the industry and remains so until today.
Gary Gyax and Dave Arneson were enthusiastic war gamers who wanted to create a game in which you controlled a single soldier opposed to an entire unit or platoon. They would eventually brainstorm a very basic Dungeons & Dragons system and later Gary Gygax would publish it through his company TSR. D&D would change the face of gaming forever as many video game developers would use the character stats from their game to develop and design their own games with them serving as a template. In time their brand would have bestsellers popularizing the genre of fantasy further and familiarizing the reader with their RPG settings and lore. They would push the envelope for the entire industry while creating it at the same time. Fantasy was the first setting but later they would release futuristic science fiction settings in Gamma World and other books including D20 Modern where players could use SMGs and helicopters. The whole idea was to give players a chance to enter their imaginations and with their guidelines play out epic adventures all from the safety of their own home and in the company of their friends.
Me and my guild first really got into RPGing because we all enjoyed similar things and for most of us, none of us had a chance to really play an TRPG. We would come together and after long discussions about D&D we decided to give it a shot and start playing. At first most of us were brand new to Dungeons & Dragons TRPG games but we enjoyed reading the books, seeing the great artwork. We did start with a more complex system (3.5 Edition which later evolved into Pathfinder) that did have many stats, numbers, reading and may not have been the best choice for newbies in hindsight. The learning curve is not as steep as it may appear at first glance but it does require reading the material in order to have a basic grasp of how it the game is played. Coming to the gaming table without reading anything is a mistake. With the resources available online today a new player can get a decent idea of what the game is about and a basic comprehension of stages of play and how a turn goes. We ourselves plan to put out tutorial videos down the line.
In the beginning your eyes will be overwhelmed with many of the Character sheets but after a few gaming sessions you will know what to look for and where what goes. With every session we ran we would feel more comfortable with the rules, questions would get addressed and answered and the deeper we delved into this imaginary world. My first character was Marcus Marvella, a Half Elf Ranger with a cliche backstory and I remember how much I like attributes of the class. My brother player a more advanced class of a War Mage, Boris of the Bash Bros was a Human Barbarian and Medeni played a dwarven cleric. All of us enjoyed figuring out which skills and weapons to use depending on the situation they found themselves. We learned very fast that there was a big coop component to playing the game, communication and teamwork is the only way to survive an attack or escape a potentially fatal argument. We also grew closer as friends and before long we are snapping D&D puns and jokes and it was something we all would continue to look forward to until this day.
When you quest you are playing a character other than yourself in a fictional setting where you are not bound by our current reality and norms. Want to slay dragons and rescue the princess, you can do it from the safety of your home with your friends as your allies. Ever wanted to be part of a story as it was written? Solve mysteries in a Victorian city or escape the Death Star with you friends, yes and yes guys. Questing is always going to have more options than any video game because there is no limit to your imagination. Many have described the RPG experience as the players are characters in movie and are playing it out as the Game Master is the director responsible for crafting the obstacles and supporting cast. I cannot describe the laughs had at the table and the tension when the Health Points were low and nobody had any potions and our Cleric was out of heals! The immersion is a big part of why I enjoy playing and running the game. No one session is the same and if done right a session involves just as much role playing as combat encounters.
The community of tabletop RPG players is diverse and the passion for the hobby is very real. There are dozens of groups and pages on social media and websites (cough) including Nerd Dimension who seek to make this hobby more accessible and make it easier for those wishing to pursue it as a hobby. RPGing can be a truly liberating experience, being able to break away from the problems in the real world and it can also be very social if you schedule games with new players once in a while. I hope that this post can help motivate readers to consider playing or maybe return to it now as there are so much more options now. Reach out to members in local gaming groups or go to game shops and see if there other players who need an extra player. The experience can be rewarding and it is better than solitary gaming in my opinion. At the end of every session I feel I did not waste my time, I was socializing while playing a game by telling a story. I do not have the same feeling after playing 4 hours of a PC game or console and my eyes get tired.
If you love playing RPG PC or video games, this is something you should at least look into to get some insight into how your pass time originated. I have noticed it seems harsher for video game players crossing over but there are systems that let you do awesome stuff in the early levels so don’t worry about being bored.
If you love fantasy fiction then I cannot recommend this enough for it is the closest I have gotten to playing a character from one of my favorite novels and immersing myself into a setting. It could also serve as a helpful tool to flush out your own settings and characters if you group are open to trying it out.
If you are looking for something different that could sharpen your writing, voice acting or social skills in general than this is something that could be beneficial to you.
Game Systems I can recommend for new players:
GURPS : A very basic system which is good for a first session as there is less attributes and a basic rule system. A great way to introduce basic character creation and principles of play found in the more complex systems especially for younger players. There are many itirations of the system with loads of settings to choose from and is the cheapest to get price ways compared to the bigger systems.
Advanced Dungeons & Dragons (2nd Edition): A step up in complexity but still easier than the later editions and other RPGs on the market. Despite having more rules than GURPS the AD&D system allows for more options in play and character creation. Good starting point if you have a group thinking of playing D&D the amount of materials and campaigns online to me make this the most fun to run and play for new players from teens to adults. Our very own DM Pat still runs the system until this day and you can catch him on Roll20 running sessions.
Shadowrun: A science-fiction / cyber punkish game which is more focused on skills opposed to class for solving problems and resolving combat. It is a more modern setting and is rich in theme and flavor and serves an interesting alternative to players not looking for Swords and Sorcery. The weapons and races are just as diverse as you can find in most fantasy and the twist of entery this ‘Matrix’ like cyber dimension makes for a unique experience. You have hackers to tanks and working together while one of your runners is disabling a security program is pretty cool. If you want to get a feel for the general idea of the game you can get the Shadowrun PC games for fair prices on GOG and I recommend them.
Call of Cthulhu: A horror science-fiction RPG based on the HP Lovecraft’s Mythos in which you investigate mysterious events and have to maintain your sanity and safety as the Ancient Ones hurl every demonic thing it can at your party. The basic role playing rules make it easy to get into for new players and the horror setting will have players on the edge of their seats until the very end where everyone dies…because it is very very very hard to survive in COC. A must play for all horror and Lovecraft fans thinking of entering the RPG realm.
Star Wars Roleplaying Game: What more can I say. This game was designed to be easy for those taking their first steps into roleplaying games and the theme is there in buckets. It is new and you can buy beginner boxes for cheap and I think this goes over well with younger players the most. Unleash the force with your buddies while recapturing some of the magic of the movies.
Vampire: The Masquerade: A system unlike the others which is more story orientated opposed to combat. The system has a strong community and following is designed with those looking for more storytelling in the game and the setting and theme of vampires is very well done. Take on the curse of the night in the form of unique vampires as you and your party have to decide how to operate in this hidden world. There is a great PC game developed by Troika of this system which I recommend.
There is something for everybody in the world of tabletop RPGs and maybe this post helps somebody choose to give them a shot. Until your eyes gaze upon my humble writing once more please let us know what you think of our content in the comments section below. If you like what you read so far we welcome you to subscribe and follow our social media pages and podcast.
*Nerd Dimension also have started recruiting members and players for our Sci Fi Fantasy Club in Kungsbacka, all you need is the app Meet Up to find and get in touch with the group.