We are exited to announce that the Kickstarter for the next issue of your favorite extreme metal futuristic dystopian fantasy is right around the corner!!! Check out more about the series and the artist Jason Lenox here.
If you have been following the site in recent years you will know that we are fans and supporters of the series and the art and writing is different to what has been popular with mainstream publishers which is one of the reasons we enjoy Jason’s work. This grimmer, darker series with a unique setting make for thrilling reads and lets us appreciate the art of the panels giving me the vibes of hand drawn classics but not aged. The villains are fleshed out antagonists that you feel with at times while at others you just are in awe of the evil. In the last issue the creators introduced some cool unconventional heroes such as Bees with shotguns, Eagles with comms to plants operating mechs, the team truly deliver on giving us something wild and engaging without jeopardizing the cruel reality of the setting or sacrificing immersion. I can promise you that it will read like no comic you read recently, especially if you are thinking of returning to the hobby it is this kind of book that takes you back to the edgy creativity of a time gone. Having read the previous 3 it is a must I pledge and get behind the project but I encourage anyone interested to look into this Kickstarter.
Jason is a pretty humble guy and he is not all over social media like a lot other folks in the industry but his work ethic and openness impressed me from day one when I first reached out. He was prompt with his response and polite, making time for a small time site like us really is a testament to him wanting to help out smaller creators. A family man with his handful most days it is no small feat for him to consistently deliver on Lords of the Cosmos and I do hope that we see many more issues of this epic adventure while wishing Mr. Lennox nothing but great success in his future endeavors.
Thanks for reading, please check out Jason’s social media and website to stay up to date on all the great work he is doing.
In the 90s my generation witnessed the death of an iconic character. Today the newer generations get to relive that momumental moment in the medium of comics. Read what how we feel about the new itiration and take on the comics that changed the path of Superman and brought him into the modern era.
Having grown up in the 90s I was lucky to have watched some of the best-animated features and series in the history of television and got to read some of the runs in comics. To me, it is my favorite era of comics because of the sheer volume of content being produced when it came to comics and action figures and kids of my generation really had a lot to see and pine over. One of the big things of the 90’s was also something that rattled comic book fans all over the planet as we first heard that DC comics were going to kill Superman! The comic itself is said to have contributed to the subsequent downward spiral in comic book sales as at the time there was a boom in which niether publisher lost time capitalizing on. To speak on this we must also discuss when this orginally came to be to compare previous installments.
The comic, titled ‘Doomsday’ (Dan Jurgens & Roger Stern) was discussed on national television and in the press when it dropped in 93 and apart from flying off the shelves Warner Bros and DC comics would fail capitalize, waiting until 2007 with it arriving on DVD in 2008 called Superman: Doomsday. Fun fact Kevin Smith has a cameo playing himself poking fun at the time he worked on a Superman script. Even the talent of legends Bruce Timm (Batman Animated Series and Justice League) and Duane Capizzi ( Transformers: Prime, Darkwing Duck, and The Batman).The animated feature was well-drawn but differed from the source material which is a pattern that would follow in the decades to come. The problem was that Warner Bros should have released this movie in the early 90’s when the comics were out to have fully capitalized as Superman: Doomsday was not released to rave reviews and was not making anyone’s top 10 list anytime soon. Superman dying is a big deal and coming late to the party may have affected the interest of the masses in this animated film but it was a decent release and if you can find it somewhere for cheap it is a decent addition to any collection for the sake of nostalgia.
It would be more than a decade later before DC and Warner Bros would revisit the storyline, this time opting to remain closer to the source material by including Superboy, the Eradicator, and Steel. I am reviewing the combo pack release in which you have the option of watching both titles back to back in on sitting. My buddy and I from the board game club watched it and though it felt like it dragged on. We were two different demographics watching this movie, for him, it was his first time watching or hearing about Superman dying. It then hit me that the younger generation have grown up with blockbuster movies and loads of shows and movies and comics themselves were not mainstream for ages. This means my friend Lenny never really got into comics growing up and now in his late teens is diving deeper into the history of these characters he grew up with.
The casting of talent was spot on with Hollywood names such as Nathan Fillion (Firefly & Castle) voicing Hal’s Green Lantern, Rebecca Romjin (X-men Trilogy, Punisher & The Librarians) as Lois Lane and Rosario Dawson (Daredevil and Iron Fist) as Wonder Woman. I have no complaints on their voiceacting and the dialogue proved to be convincing enough but it did not have the style and look of the 2007 adaptation. I was pleasantly surprized when I sutmbled upon the BluRay Double Feature release where you could get and stream both movies back to back.
As someone who is a huge Bruce Timm and Paul Dini fan I would have preferred if they tried to keep some of the original look from the 90s and early 00s but I will not hold it against them. Warner Brothers have been consistently releasing at least 1 animated feature a year if not more while continuing to support live action shows such as Super Girl, Green Arrow and Titans. Despite their major motion pictures earning big bucks at theaters but the negative critiques and feedback from fans following the Justice League movie and the how Aquaman failed to capture the the interest of many older viewers. With a new man in charge and at the helm of future Warner Brothers releases with a growing interest in appealling to the Chinese market the studio needs to be wise to avoid the blunders of the past and the mistakes other corproations are making in appeasing the Eastern market.
Warner Brothers are wise to keep the fans happy with content over the years and this release will scratch an itch and does give you a story worth watching. The first part of the story (The Death of Superman) will have you watching Supes give it all his all as the Justice League struggle against the arrival of Doomsday. They carnage and desperation is paced well throughout and the inevitable ending does leave you wondering what would happen next. The Regin of the Supermen would see our first itiration of the comic series where in the absence of Kalel other ‘Supermen’ would rise up and attempt to fill that void. As to not spoil too much of it but we get to see Luthor still angling to be the most powerful man on the planet by introducing Superboy as other ‘versions’ of the former hero rose up including the Eradictor and Steel weaving an interesting narrative. The more adult tone of the story does well in immersing the viewer in what is going on. You have Darksied appearing and watching the heroes and citizens try to make sense of this new era where heroes compete over the top spot while new evils find their way to our blue marble with villianous intentions.
The second part of the arc plays out better than the previous installment and watching the dynamics between the different characters and the attention paid to the minute details of each of the ‘supermen’ added more to the feature. The writers and producers attempted to include as much as they could from the source material and do not make it a campy feature and touch on issues such as self belief, betrayal and revenge in a way we have not experienced in their perevious animated features. I can warmly recommend watching these two features back to back when you have 3 hours to kill however I sadly will not recommend it as a purchase.
Despite being different to what most fans have grown accustomed and used to from WB Animations it does not go deep enough for me to want to re-watch it any time soon. For that reason I would have to give it a 6.5 out of 10 as it is a double feature package and it would be unfair to judge them as standalone releases (which you still can get seperately). It is good fun for Superman fans and fans of the genre in general but not worth the money as I do not see it adding much value or replay value to most collections.
Until next time I would like to wish all of our nerds and nerdettes the best possible week and just ask for you to invite some friends to our Facebook page and hit the like button so we know you enjoy our content. If you would like to suggest a topic for us to cover or a creator you think would care to be interviewed do not hesistate to send us an email after liking our FB page.
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Jodorovsky’s Dune is being reviewed by our in house writer Talon!
..The Game-Changer that Never Was..
Jodorovsky’s Dune is a documentary by Croatian-American director Frank Pavich screened at the 66th Cannes Film Festival as part of Directors Fortnight May 13th and released May 21st 2014. Of the numerous nominations and awards it has received most notable seem to be The Australian Film Critics Association’s Best Documentary and Imagine Film Festival’s audience award The Silver Scream. Making appearances aside from titular Jodorowsky are Dan O’Bannon, H.R. Giger, Gary Kurtz and Chris Foss to name a few.
The film focuses on Chilean director Alexander Jodorowsky and his never actualized interpretation of influential Nebula & Hugo award winning novel Dune by Frank Herbert. Inciting a great deal of what-if sentiment in an enjoyable manner it is a well done nostalgia piece. Pavich lets you behind the scenes into a fraternal world of creative spiritual warriors, Jodorowsky would call them, by weaving tales known only to select insiders and collaborators from a special moment in the past. The film serves as a call to action for visionary dreamers with an ambitious leaning.
At the beginning we are acquainted with Jodorowsky and some experiences making his breakthrough films “El Topo” & “The Holy Mountain” which propel him to cult fame and whose successes at demonstrating his unique take on film led him to be dubbed a father of the Midnight Film genre.
After falling out with distributor of both films and financier of “Holy Mountain” Alan Klien, Jodorowsky meets French producer Michel Seydoux who impressed by his style grants Jodorowsky Carte Blanche in selection of his next feature. Without hesitation Jodorowsky requests Dune.
Following a trail of clues set by Pavich we learn of Jodorowsky’s methods of recruiting his diverse group of Argonauts on this spiritually inspired creative adventure. To peak some curiosity, amongst this motley of heavy hitters are iconic vocalist Mick Jagger, notorious surrealist Salvador Dali, ever enigmatic silver screen icon Orson Welles and pioneering rock group Pink Floyd to name a few.
You find yourself glued to the screen as you learn the herculean lengths the director is willing to go to collaboratively to create something truly great. From inception of idea, to means Jodorowsky utilizes to keep his team motivated and believing in themselves and their gifts. The sense of drive is palpable and uncanny happenstance occurrences further bolster sense of purpose and destiny the endeavour seems to possess.
The documentary inevitably pulls at heartstrings as one realizes the project is doomed, primarily stemming from executives fearing budget size and lacking gumption to venture into unexplored terrain. The sadness progressively turns into disenchantment and suspicion that crew and project were cheated out of their rightful place in history. The overall sentiment being that the bible of the dune, a compiled 3000 picture story board and preproduction book sent to major studios, being years ahead of the industry became a go to source of inspiration for countless Sci-Fi blockbusters which incorporate various visuals and even literary devices (albeit diluting them) making many common place in today’s cinema.
This film I feel set out to ensure the group’s legacy, particularly Jodorowsky’s who had little success post the Dune fiasco, and remind audience and industry alike at the folly of not taking chances creatively. The teams interpretation of Dune appears to be the best movie which was never made and they provide some in the way of perceived evidence for this case. After watching it some of you will wonder if Star Trek and Star Wars would have become as large franchises as they are now? You find yourself feeling if this Dune came out that the Sci-Fi genre and film-making would have received a much deserved dose of creativity and literary perspective on the art form itself.
Interviews are well shot as the camera movement, angles and distances are solid thanks to David Cavallo. Execution of close ups and specific moments was well done, as when focusing on Jodorowskys hands at different times to emphasis a moment.
One complaint is frugal use of Syd Garon‘s&Paul Griswold‘s animations of Moebius‘s (Jean Giraud) story board and H.R. Giger & Chris Foss sketches. You find yourself wishing they merely used story board and quality narration to the tell the entire story of Dune as they intended, but afterall is this is a documentary about making of the film and not the film, nonetheless some graphic exposition shots were cut too short to enjoy the artists’ mastery.
It might have been swell to have Jodorwsky interviewed with several members of crew who are still among us in an intimate setting, so that we can observe some of their chemistry all these years later as they discuss various anecdotes. This felt missing for a movie striving to emphasize, in addition to other notions, what feels like the value of comradeship.
Deeper insight which can be derived is the sheer depth of dedication stemming from unfaltering belief, the dedication of Jodorowsky to make a movie to change the world. The sentiment is echoed by his faction as they discuss the making of the movie. All sacrificed but none complained what they were being put through including Brontis Jodorowsky, the directors son who for two years was training Martial Arts, Sword fighting and Gymnastics to prepare for the role of a young Paul Artriedes.
The story told is spellbinding packed with colourful characters, surreal encounters and events which if not true definitely should be. Jodorwsky’s Dune as a documentary is one of better released the last decade, with refreshingly unique subject matter. I am most impressed by the drive of Jodorwsky himself as with the talent and contributions of primary collaborators Moebious, H.R. Giger, Chriss Foss & Dan O’Bannon. It is this tandem of four gathered by Jodorowsky which brought a lot to one of the greatest Sci-Fi franchises ever Alien, and we appreciate the director’s hand in it.
I feel this movie appeals most to true fans of quality Sci-Fi and deeper cinema offerings (especially movie makers), skewing more to the 30 and up crowd who might have grown up hearing urban legends of the legendary Dune which was never made. Not to say a younger audience would not enjoy it but might find it harder to relate to as they are too young to remember some of the long gone pop culture icons involved in the project.
From a score of 1-5 this film gets:
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The premier piece from our latest contributor Pat. Read about a Super Hero team that never was really a team and learn something new about The Defenders. The show sucked but like with most things, the original content is was way better!
Who are the Defenders?
When The Defenders television series was just announced by Netflix, a friend of mine asked me who they were. This seemed a bit odd to me because they were such a major superhero team for Marvel Comics in the 1970’s. But now they have become forgotten. So allow me to remind you. . . .
The Defenders started as separate team ups between Doctor Strange and the Incredible Hulk, and Doctor Strange and Prince Namor, the Sub-Mariner. This was followed by a three way team up of the Hulk, Sub-Mariner and the Silver Surfer. Finally, all four of them were given their own book: the Defenders. The prequel team-ups had been written by “Rascally” Roy Thomas, who continued to write stories about them in Marvel Feature. But once the Defenders got their own title, the writing chores were handed off to “Stainless” Steve Englehart. Several of the Early issues were inked by Bill Everett, the artist who co- created both the Sub-Mariner in the 1940’s and Daredevil in the 1960’s. From the beginning it was obvious that The Defenders would have a different vibe that the other team books. The Avengers were a semi military organization. The Fantastic Four were a Family whereas the X-men were more of a school club. The Defenders however were something entirely different and new to comics, they were the Non-Team. They had no set members or roster to speak of. In fact, when Valkyrie asked to become the fifth member of The Defenders, the Sub-Mariner told her that she could not join The Defenders because, The Defenders were not a Team. Each issue hit the shelves and you never knew who would be in The Defenders that Month. In one of the later issues The Defenders were Doctor Strange, Iceman and Mister Fantastic. A cover of one the early issues shows The Defenders (Doctor Strange, Valkyrie, Nighthawk and Yellowjacket) being rescued by The Defenders (Hulk, Luke Cage, Daredevil and the Son of Satan). At one point The Defenders held a television interview and the next day twenty heroes (including Iron Fist) showed up at Nighthawk’s home, asking to sign up and join The Defenders. At the same time, two different groups of villains banded together and proclaimed themselves to be the ‘real’ Defenders! Still even though the membership was constantly in flux, (there was an extended period in the middle of their run where Doctor Strange was absent) There were certain heroes who showed up in the pages of the Defenders more often than others did.
That list of Heroes is: Doctor Strange, Hulk, Sub-Mariner, Silver Surfer, the Valkyrie, Nighthawk, Hellcat, Son of Satan, Gargoyle and Beast.
Some of their Major Stories include: the Avengers/Defenders War (When Steve Englehart wrote both books, and in which Hawkeye was a Defender), a crossover with the Guardians of the Galaxy (Which writer, Steve Gerber spun off into their on series), the ascension to cosmic power levels of the Red Guardian and the Presence, the Six Fingered Hand saga (written by J.M. DeMatteis) And the liberation of the Squadron Supreme’s world from the mental domination of the Overmind. (Also by J.M. DeMatteis)
But unlike other comics, The Defenders had almost no recurring villains. Xemu the Titan fought them a couple of times in their early issues. Nebulon the Celestial Man fought them three times. Magneto and his Brotherhood of Evil Mutants only fought The Defenders one time. But this was a major turning point in the mutant mastermind’s life, as the battle left him reverted to childhood. When, a few years later in the pages of the New Uncanny X- men, he was restored, it was to the peak of his powers.
After the 100th issue, the Beast became a regular member of the Defenders. This worked out so well that Iceman and Angel were brought in too. This changed the whole feel of the group under writer Peter Gillis’ tenure, which lasted a couple of more years before the book was canceled and the original X-Men re-united in the pages of X-Factor.
In the decades since, there have been a few attempts to revive the Defenders and reintroduce them to new fans. Though many of the heroes who have appeared in the Defenders did appear on television screens in the 90s (Silver Surfer, Mister Fantastic, X-men etc.) it was not until recently that Luke Cage, Dr. Strange and Iron fist recently releasing theatrical releases and Netflix shows. But prior to the live action shows and the Cumberbatch film Fist and Cage had been getting more spotlight through starring in the Ultimate Spider-Man animated series with Dr. Strange having a recurring role, Marvel obviously doing good in setting up these characters with the younger audience. In the realm of comics none of the attempts after print cancellation lasted as long as the original run. So when, in the recent Doctor Strange film, the Evil Eye, the McGuffin from the Avengers/Defenders war was used as a club; I was brought back to the early days of the Defenders.
Hope you enjoyed my piece on the Defenders and will look forward to my next one that will have me shed light on Nighthawk.
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Nerd Dimension bring you a review of the award winning first volume the internet were talking about. Have Image reclaimed the throne for different and dark again?
I first learned about Saga through some of the pages I am a member of on social media and saw other members uploading panel pictures and praising this book as something the industry has been needing for years. I had not heard Image were planning to come with something big in ages and missed the first run but then again I am biased. To this humble blogger their best work will always be their franchise player, Al Simmons aka Spawn (something I recommend to anybody looking for a darker comic and anti-hero dishing out tons of carnage). Image developed a reputation for publishing the books the other big companies shied away from.
When I decided to do some research it seemed to be a Space Opera meets Fantasy as you have two protagonists fleeing with a baby across space while being chased by the two of biggest armies in the universe. Did not seem too original, granted, I still decided to keep digging and especially with all the great reviews I had read. I learned that the writer, Brian K. Vaughn had worked for both DC and Marvel comics in his career, writing for X-men, Green Lantern, Batman, Spider-man and Captain America. As well as working with big names in the world of comics he also worked on 3 seasons of ABCs smash ‘Lost’ and worked on Showtimes adaptation of Stephen Kings ‘Under The Dome’ I was surprised to see that his illustrative counter part and partner in comics, Fiona Staples was nowhere near his status or caliber. When I was googling her and trying to find out more about her I did not see her tied to any of the major titles or franchises.
It was not until I was in Comics Heaven in Stockholm when I managed to get my hands on a hard copy and immediately fell in love with the artwork. It looked good and my research told me what the story was supposed to go like. I avoid reading spoilers for anything including comics as to best experience the book. I read the volume in one sitting and was immediately hooked by the first chapter. The way Vaughn created this interesting setting with far from perfect characters was interesting. The conflicts and set up is done just right and the subject matter is not for kids. One of my favorite characters has got to be the Freelance ‘The Stalk”. The adult content of the panels was refreshing to see coming from a big publisher but it was not cheap if you understand what I am getting at. They did not use nudity of obscenities to mask a poor plot, it all comes together like a great stew sprinkled with just enough to make it a hearty read. The 13 awards the book received in 2013 only reinforces my claim of the quality of this first installment.
It was interesting to me how the writer managed to create these characters who did fit certain RPG archetypes yet managed to have them come off as unique to his setting. The language used by the different players in this grim universe adds a dose of reality along with slight twists that actually make sense. Not being a big fan of campy comics I see myself continuing to read this series.
The things I did not like was the lack of explanations for humans, it appears that regular humans do not seem to play a big role in this setting and I sadly cannot divulge much more without spoiling the first issue. The coloring at times seemed a little dull but not enough to put you off from reading. I do see the coloring as an aid for setting the tone but still I would have preferred different palettes for some of the scenes. Now a minor warning to some, this is not capes and chaos but rather a mash up of several modern genres by splicing together high sci fi, low fantasy, intrigue and a hefty load of dystopia.
All in all I give this first volume:
7.5 out of 10
Conclusion: Saga has succeeded in being a fresh and did manage to get the comic community talking and has maintained it fanbase and following years after the release. When other books fizzle out or fail to keep the pacing Vaughn managed to script a book that reads like a movie and Staples delivers panels that match that narrative. People coming to this book will have a different experience from the usual and I urge those who enjoy Sandman and Preacher to skim through some of the pages as it is not the run of the mill book.
So until next time, never dog ear your pages when there is always a receipt lying around to be used as bookmark. Just be sure it is not the bill from the BDSM spot you went to last week.
New podcast up, twist up, flip the cap and lay back as the nerds take you for another joy ride through fun fantasy and f##kery
In this episode our three terrible hosts discuss couch coop titles, some of the best games, a few undiscovered gems and give you their usual spiel. Apollo is still the overbearing intellectual, Gus is always trying to bring the balance as Mike continues to throw out crazy comments like they are going out of style. So sit back, relax and enjoy 🙂
We take on the the Aliens in this splitscreen shooter, read more to see how we faired and what we think of one of the worst reviewed games in console history.
To clarify for all of our readers that the guy who wrote this review was a fan of Aliens from the jump. The first Aliens game I played was on Sega and I spent hours of my early teens in Lan gaming spots playing the first Aliens Versus Predator with an IV drip of soda and pyramids of snack wrappers littering my immediate surroundings . All fandom aside this will be an honest critique of the game where the franchise history factored only slightly in regards to ‘theme’ and ‘story’. Having hear many negative things about the games AI I still held out hope when I heard writers from Battlestar Gallactica worked on the plot, trying to approach the game without bias proved harder than I expected.
It would be wrong to ignore the power a brand can have on influencing your first impression or motivations in purchasing a game. The Ridley Scott classic movies made Xenomorphs one of the most identifiable aliens in popular cultural putting them in the same category as ET, the Predator, the Grays and the green men from Mars. Every kid wanted to blast those aliens and if nothing this game promised you that out the gate.
Needless to say we were curious to see the campaign Sega managed to pull together with all the existing source material available and if would play as well as it should compared to previous shooters under the same brand. It was their second game after purchasing the franchise and took the developer Gearbox which had worked on a version for the Playstation 2 earlier butt hat project was scrapped. Sega had a lot of pressure to deliver and I would be lying if I said this game even came close. In fact after playing the game the first time I read that it was considered to be in the top 10 worst games of all time. This game was released in a time when Sega had long given up on consoles and were making the millions in intellectual property so they did not have that many games in the works.
Off the bat the graphics are not the best we have seen as the campaign opens with you and your player 2 getting briefed on the USS Sephora before things start blowing up. As expected for the classic first person title the controls are standard and easy to learn while the darkness and shadows are done well making it feel more authentic adding to the overall horror theme. Despite the graphics seeming kind of blocky in the some of the cut scenes when compared to other titles out at the time. The designers and developers dropped the ball so much that at a few times while playing I was genuinely disappointed because I expected more from Sega.
The are arsenal contains all time fan favorite pulse rifle with upgrades and gadgets to add to your enjoyment such as red dots beams, scopes and grenade launchers to boot. Shotguns, pistols and smart-guns make for more passionate slaying though we feel more weapons should have been offered and the option of dual wielding pistols would have been something good to see.
Its reminiscent of the newer Doom and its predecessors as my brother and I swept through corridors shredding xenomorphs while remaining silent and on edge. the tension adding to the immersion of the game. The game is not as easy as expected and will leave you frustrated but in a good way because you really want to pass that next checkpoint. We recommend having a 40″ TV or monitor and up minimum to be able to enjoy the splitscreen experience in the its fullness.
Sadly the game clocks short at 11 levels with an extra level with the Limited Edition we played. The game does have highs and lows as the short campaign, less than smooth graphics and no DLC or expansions leaves Aliens Colonial Marines with much to desire. The upside is that it is fun to play, it won’t have you as glued as Borderlands but there is something in the nostalgia of it that leaves you on the edge of the couch. The game is too dark at times and turning up the brightness highlights some of the bad graphics but after some fiddling you can reach a playable compromise. I feel Sega were banking on releasing something that could keep gamers interested in Aliens but failed in creating a classic game let alone breathe new life to such a titan of a franchise. Bodying waves to Aliens, acidic highlighter colored ooze splashing everywhere, covering your other players back and the gore and explosions will test even the best of friendships. There were time I found myself taking a smoke break after being frustrated at certain points in the game, partly because of my paper thin nerves and mostly because of glitches and some stupid game architecture. Be warned, if Left 4 Dead has you screaming at your teammates this might having you choking them !!! We strongly advise playing this with the lights down low and in coop because it seems to be intended to be played that way. The short campaign and difficulty in solo play points to this being a two player experience.
All in all a fun game, worth the purchase and can be found cheap second hand. You have to stick together so the coop is emphasized and is a must have if you are looking for something other than zombies and terrorists. A good game to play through a few times but don´t expect it to be in your top 20 and it will not be something you come back to often. However, I do enjoy pulling it out after I watch of the Aliens movies so there is always that.
Giving this game a rating of
5 out of 10
Let us not get it twisted or misconstrued, ACM is far from a good game but it passes the minimal requirements. If we look at the third gen console library you will be hardpressed to find that many couch coop titles and this is one of the less than 20 titles availible. With XBOX live and PSN removing other titles the list is even shorter so that helped give ACM that extra point to get it to a passing grade. The sound is on point and you do feel that paranoia when scanning corridors with your pulse rifle. The lack of weapons, customization and personalization is a downside along with no extra content to spice things for repeat play. We factored in how cheap you get a copy for and it does give a decent coop experience if you have run out of things to play. Despite the short campaign and visible glitches of the developers made this a game Sega probably wishes never came out. This is a game which you can buy for cheap and breeze through in less than a dozen settings but do not expect to revisit it much after you have finished it.
Stay tuned for more reviews on Aliens games that we will be posting and commenting on in our podcast and on this site. Let us know what you felt of the game, did the carnage even satisfy even the least bit? Was the the story as boring to you as it was for me? Did this leave a permanent dent in Sega and its legacy as a developer?
The Emmy nominated series is our new recommendation from Nerd Dimension so make sure you checkout why we think it is one of the best shows in recent years.
It seemed for a while that every network were throwing their hat into the fantasy/sci fi genre in recent years with the successes of Game of Thrones, Marvel’s Agents of S.H.I.E.L.D.and fan favorite Supernatural in the ratings. To be honest I think it would have started even sooner were it not for the slew of crappy teen vampire shows which left a lot of people loathing nightly programming. It was as if good writers quit and producers were looking to glue sniffing feminists for cues and applied the ‘how crappy can we make it before they change the channel’ philosophy to their script grading process. Every week some pale poser struggled with some petty problem involving a buffer poser with a lousy attitude and an androgynous female love interest while dealing with his lethal reactions to UV rays. For a while I felt studios would just give up on the whole concept of releasing an authentic show with some depth and brought something new to the table.
Grimm has proven to be that much-needed breath of fresh air I was looking for. At the time I decided to stream it they were shooting the second season which told me that there would be more to watch yet I did not see anyone discussing it on blogs and the forums I frequented. So I did what every normal person does when trying to make up their mind, visited IMDB and two other specific reviewers who made the show sound like it was worth giving a shot.
Nathan Burkhart ( David Giuntoli, 13 Hours ) is a tall, dark, Portland PD detective solving crimes in the small city with his partner Hank Griffin ( Russell Hornsby, Meet The Parents, Suits, Shameless) and seems to be living the dream. He likes his job, gets along with his boss and loves his beautiful longtime girlfriend Juliette Silverton ( Elizabeth Tulloch, Concusion, The Artist, Parkland). As you all guessed it, things start to change and change fast.
Nathan starts having what he believes are hallucinations early on in the show just around the time his Aunt and former guardian Marie Kessler returned to Portland in her RV. She had raised him after he had lost both his parents in a car crash when he was still an infant and left after he joined the academy. The more frequent his visions the crazier he thinks he is going until his aunt tells him the truth about the family. She reveals to him the family curse and that he is descendent of monster slayers who are born with sight to see monsters in their true form. She tells him how the Grimm brothers were actually ‘Grimms’ and the stories were all true. Witches, Wolves and Trolls to name a few. He learns that these creatures, Wesenfunctioned as normal members of society and nobody can tell what they are unless they themselves choose to reveal true face. Naturally he is forced to keep this a secret from his girlfriend and colleagues and finds a new friend in an antique clock repairman Munroe (Silas Weir Mitchell) who also happens to be a Blutbad which is something like a werewolf. It is then he learns that Grimms are feared throughout the world by Wesen and are considered cold-blooded killers. As he struggles to keep his new-found powers and life in check our detective must fight the very beings of our nightmares while leading a double life which seems to spiral further out of control with each scene.
The show starts off with action but gradually gives decent info dumps so that the viewer gains more insight into the setting and creatures that inhabit this secret world. The acting is spot on featuring a cast that carry the roles convincingly and breathe life into the dialogue. The special effects and CGI are good and not over done and the backdrop of Oregon forests only add to the visuals. The team behind the cameras also do a good job as the show is shot well and the fight scenes are captured with realism and only get better as the show moves on. The producers did bot shy away from blood and obscenities and the mix of surprising plot twists and suspense building scenes make this show a must watch for someone who enjoys their action with a heavy theme and intriguing back story. The more you watch the more you feel like you are accompanying Nathan and his allies as they grow in strength and closer forming believable relationships. The interactions and intensity in some scenes create a viewing experience that is not only memorable but truly enjoyable. Honestly I am surprised that more people don’t watch this show but the three people I did manage to get to stream it were happy and have almost caught up with me. Another thing I simply loved was how they launched a webisode miniseires online entitled Grimm: Meltdown which was creative and truly awesome as I have not seen somebody pull it off as well as NBC did.
I would recommend this show to anybody who enjoys Super Natural, Fringe, Sleepy Hollow and the X-Files for it has something for each fan whether it be mysteries, conspiracies or evil beings that you crave. If you like relatable characters and your darkness with a small splash of perfectly timed humor this is the show for you. The protagonist is as much the ‘everyman’ and never comes across as an over the top hero like in most shows and the twists will have you lining up he next episode regularly. If you are looking for a show you can binge watch this summer with your girlfriend or after work with take out and a beer be sure to check out Grimm.
Score: 8.5 out of 10 (loose 0.5 for leaving me on a cliffhanger too often lol)
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A cult classic for some, be sure to read what we thought of the tv-show which launched the careers of several actors in the mid 00’s.
Farscape was a show I started watching in the early 00s and became a fan instantly. I loved how at the time they managed to blend great make up and creature creation with CGI without one detracting from the other. I realized how a lot of people I spoke to online at least from Eastern Europe were not familiar with the series and decided I should do a write up so something new is online for people to check out. Some of the things that drew me into the show was their interesting spin on living in space, engaging characters and did I mention Claudia Black was in it?
Wrong Turn meets the Fugitive…but in space !
The story starts out with US astronaut John Crichton (Ben Browder; Stargate SG-1) is launched into space for what he believes should be a straight forward mission. While out there he looses control of his craft before getting sucked into a wormhole and comes out in the middle of a space dogfight. He helps save ‘Moya’ a living spaceship (yeah, I know pretty cool) that is home to an outlaw group all on the run for their own reasons. Having aided them they allow him to crash with them until he can figure out how to get home but they all wind up going into uncharted space meaning returning might prove to be a lot harder than expected.
John has to play nice with D’Argo (Anthony Simcoe), a lethal Luxan warrior with a mean temper who enjoys a fight as much as a tumble in the sack. Aeryn (Claudia Black) the renegade peacekeeper officer is clinical in her interactions towards John and being gorgeous did not make it any easier on the poor guy having to deal with her feminist ways. The voice of reason is the Delvian Priestess Zhaan (Virginia Hey) who has a somewhat budistic approach to everything and the most welcoming to our human traveler. Other crew members include the exiled Hynerian ruler Rygel (Johnathan Hardy) zipping around on his floating armchair with lavish eating habits and a selfish attitude. However the most interesting character would have to be Pilot (Lani John Tupu) who is pretty much an alien lobster from the waist up but from the waist down is part of the actual vessel, Moya. The latest to join is the the young and attractive Nebari stowaway Chiana (Gigi Edgley).
Together this unlikely fellowship float through space with the Peacekeepers and a vast assortment of galactic baddies on their tail. They do odd jobs, trade and engage in mercenary work just to stay alive while John struggles to survive in this new reality whilst trying to find his way back home. The villains are interesting and the show is quiet unlike any other space science fiction shows out there, definitely at the time it aired. The show has a small Star Trek vibe but with more adult content and has some Firefly to it with less powerful graphics. All in all the show has 4 action packed seasons with a great TV movie to cap off the memorable series. If you are looking for something new to watch that is different, well written and boasts a very talented cast then look no further than Farscape. You will be glued to your screen and is a show you can either binge watch or enjoy episodically, either way you will not regret watching this series. We do stress watching the Peacekeeper Wars movie to know how it all ends !
Our all overall score for this gem is 7.5 out of 10
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