I can recall first the first time I watched the Dungeons & Dragons cartoon in the early 90’s and loved the idea of heroes adventuring in a fantasy world. Not comprehending the complexities of tabletop RPGs I just loved the stories and that was enough. Then I remember going to the arcades with my brother and we loved playing coop games like Metal Slug and Teenage Mutant Ninja Turtles which even allowed for up to 4 players. I would read about Dungeons & Dragons Tower of Doom that was released in 1993/94 for the legendary CPS-2 machine by Capcom, a developer and publisher all kids we all too familiar with. Tower of Doom would not be the first D&D game released by Capcom with TSR after signing their deal in 1990 which resulted shortly after in the porting of Eye of the Beholder to the SNES.
The artwork in the magazine was evocative and the cover featured the standard party with the Dwarf, Cleric, Warrior and Elf. At the time races were classes as they were using the AD&D Rules Cyclopedia rules when designing the game which also made it unlike any other side scrolling beat em up game. Not only had they gotten the rights from TSR for the system but they also were using a popular setting from the AD&D books. At the time fans of D&D had gold box computer games and other iterations of their favorite tabletop game ported to the PC but nothing that looked as good as what Capcom released and no game allowed for up to 4 players couch coop! The game would eventually see it packed with the sequel Shadows of Mystarra (Dungeons & Dragons Collection 1999) for the failed Sega Saturn console but only Japan with the removal of 4 player capabilities.
The things that made this a different gaming experience for arcade goers was that it allowed players to do more than just simple attacks, infact Capcom wanted to remain true to the abilities existing fans of the tabeltop game loved so much. Capcom would enlist the talents of video game and anime concept illustrator Kinu Nishimura (Street Fighter games and Capcom Vs SNK) while leaving the writing duties to Alex Jiminez who did great in translating the feel and narrative of Dungeons & Dragons to a more mainstream audience. Players would be able to select abilities and feats while picking up items and loot which was stowed in their inventory. Prior to this inventory functionality and the differentiation of what each character to do made this a gamechanger in the early 90’s, the last era of arcades still being relavent in gaming culture globally.
The game had miles of depth on the competition at the time, it was hard to complete and it played different depending on the choices the players made in game. A store and and the addition of a block function helped players survive a few more kobolds. D&D fans coming to arcade would be pscyhed when they saw the inclusion of their favorite spells including, magic missile, fireball, cloudkill and invisibility along with the same limitations from the book meant their exzisting knowledge would allow for them to get the game from the first quarter. Levelling up and loss of gold and points when dying made it a game where you had to think more than your would for other beat em ups like Fatal Fury or the Simpsons. The replayability of Tower of Doom and its difficulty had us dumping money into the cabinets and for those who got to see the ending at the 7th level we were amped after seeing the cliffhanger ending which hinted at a sequel.
Shadows over Mystarra would be the second Dungeons & Dragons game released for arcades in 1996, adding more to the game and expanding the choices for playable classes. The thief and magic user class were added to the joy of many D&D players. Each class had alternate costumes so two players could play as the same class if they wanted to and believe me have two casters is nothing to sneeze at in this game. Capcom also jammed in more combos for the fighting classes and threw in more spells along with diverging paths for specific classes and alternate endings added more replayability to that game that already did it right the first time around. By far the 4 possible endings for each class is something I think no game has done since.
Now that we have laid on the praise real thick with our nostalgia goggles on it is time to get into what we don’t like about the games. Seeing as the games were originally designed for the arcades it was common practise for developers for have money grab levels and cheap bosses who were so hard that you would HAVE to have a fair amount of coinage to survive. Pay to pay at it’s finest but this is truly visible when fighting the Red Dragon in the first game where you do not even see his health bar after a barrage of hits connect and his insta-death fire breath killed many one second into the encounter. Also, there were glitches in the sequeal where you could cheat through entering certain words when given the choice of naming your character along with a few other glitches which could give you powerful items helped some cheaters get their names on the highscore charts. Other than that my gripe is more with Capcom than it is with TSR which was going through hell in the 90s.
Imagine if Capcom did not sacrifice the 4 player option for the Saturn, better yet try picture them releasing these game on the Sony Playstation as a bundle in 1996? I could not find any explaination as to why Capcom would not pursue it further, one of the reasons could be that D&D did not catch on as fast or grow as much as it did in the west. Alex Jiminez who wrote the scenario for Capcom said the Japanese staff were not understanding the concept or much of the mechanics behind D&D. The heads in Tokyo even were debating whether the game should have a Western or Eastern theme prior to Alex’s arrival.
Let us recall that RPG fans in the early 90s had slim pickings for games especially when discussing consoles with Diablo 1 coming to the Playstation in 1998 with only a two player option, beating Capcom by a year for their collection which was exclusive to Japan. Baldurs Gate would not hit PCs until 1998 meaning Capcom had more than enough time to capitalize on a severely under served genre with most of the titles remaining exclusive to PC platforms. Waiting as long as 2013 to repackage and release the collection globally on most platforms seemed like a long wait and I’m pretty sure if they had ported it to the Playstation, PS2, Dreamcast, or Xbox they could have gotten some more sales and perhaps rekindled the interest of Wizards of the Coast in a time where consoles were not even a thought for developers. Proof of this is that we had to wait until 2001 before console gamers would recieve the critically acclaimed ‘Baldurs Gate: Dark Alliance’.
REMINDER: The titles listed were gamechangers and all came towards the end of the 90s, not to say there were not games on the PC and Playstation that did not have Dungeons & Dragons licensing but these products fell short of the mark when it came to graphics, replayability and never made the arcade. With the exception of Eye of the Beholder which was well reviewed no D&D computer game would make a splash prior to Baldurs Gate in 1998.
Hoping you enjoyed reading this post and we cannot recommend this enough if you have 15$ lying around give the game a shot as it is packed with nostalgia while also providing hour of fun in a familiar setting. I give this collection 9 out of 10.
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Nerd Dimension tell you what they think about the announcement from Blizzard and what we hope the game could look like. So far it does not bode well for the veteran publisher which has seen an avalanche of backlash on social media. Nerd Dimension cut out the bs and get to the guts so read on to see if you should be excited about Diablo IV!
written & edited by Mykal Grimm
Many YouTube feeds have been flooded with initial impressions and reactions to Blizzard’s announcement at Blizzcon that a forth installment in the classic series of Diablo was on the way…kinda. The publisher has released an well produced trailer including gameplay but also allowed attendees to play a demo while streamers were given 5 minutes to stream it for their fans. With the recent dark cloud hanging over Blizzard involving censoring and banning players who were vocal on the current political situation in Hong Kong to recent failures that the fans are not letting go of teasing gamers with Diablo IV could buy them some much needed time to try save face.
The last Diablo game announced by Blizzard was Diablo Immortal which disappointed fans wolrd wide with the news that it would be a mobile device only game. What added to the sting was how the company leading up to the announcement were very vague and appeared to ignore feedback from the community after the announcement. Fans of Diablo have been asking Blizzard for a HD remaster of the older the titles as now Baldurs Gate has been ported to all current gen consoles offering fans more product at affordable prices. Immortal would be pushed back and no hype was really generated and with the talks of it having a 2019 release I don’t see it bringing in the big bucks for Blizzard any time soon. The success of the Warcraft movie in China saw the franchise double up for a sequel further promoting their world to more potential players in the largest growing market while the the return of World of Warcraft Classic saw them capitalize on the nostalgia of the previous generations of PC gamers. Though many feel that WOW charging 14$ a month for a subscription and then charging you 60$ for expansions is a bit steep but who are we dictate their pricing policy.
The announcement of Diablo IV comes as a breath of fresh air to fans of the franchise, especially those who grew up playing the PC games and were waiting to see what a forth title would like after our disappointment with Reaper of Souls. What worries many gamers who are fond of the older games and all too familiar with Blizzard track record of missing deadlines the company did not even hint at a possible release date. This is not a good sign because Baldurs Gate 3 was the talk of cyberspace the past two months and are confident that they will have the game out in 2020 and that it will be on most platforms.
Other things we did not like reading was that Blizzard intend on making it playable online only! This writer believes that games that have campaign and solo content must be playable offline however developers have now made the online component critical to a lot of the game mechanics and not just skins and customizations. I may like to also remind folks that Blizzard’s online store was marred with scandal when real money was changing hands and pay to win became prevalent, not to mention the dealys for the first 48 hours and enduring download times should have taught them something.
Something of the promising things on first glance is that this game looks closer to the original design and art style of the earlier games. The cinematis and gameplay still looks like Diablo but it is darker and not as smooth as in Reaper of Souls. The 3 playable glasses we saw in the gameplay footage online showed a Druid closer to that of Celtic legends while the Sorceress and _Barbarian did not look too different from the older games. The graphics and visuals for certain spells including the overall mapping of the controls seemed streamlined and intutitive. The introduction of mounts does raise eyebrows, though developing the game to be more open world than previous editions the needs to accelrated travel makes sense but steads and mounts are also common place in mmorpgs, something that Diablo is not…or so they the want us to think.
For our readers who might be new to the Diablo series in general I can recommed everything from the litrature to the games as they can provide hours of entertainment and ooze nostalgia of a simpler time in gaming. The games are action rpgs for the most part where you take on the role of a character with a specfici set of skills belonging to a certain class with accompanying talents. Many games would be inspired by Diablo in decades to come and is pretty simple to understand with stories that do lead you wanting to see the conclusions…for the first two games at least. Diablo III is still availible on all consoles with couch & online coop modes which allows for you to quest with friends while for those more techy savy you can throw a lan party and quest with your buddies through Diablo II: Lord of Destruction which is considered the definitive Diablo game. If you are more of the tabletop enthusiast Wizards of the Coast would release a setting for their D20 system which allows your party to play out adventures from the games that are easy to incorporate in Dungeons & Dragons 3rd Edition and Pathfinder.
Now to to get in the cause for concern for some of the older players. Diablo 3 was a drastic change from the previous games which did not prove make it a better game. The game is one of the bestselling games of all time but also a debacle. Blizzard has long parted ways with the creators of Diablo David Brevik and Eric and Max Schaefer and with the return of Allen Adham to Blizzard they need Diablo IV to be big. With the hits Ubisoft and EA have taken in previous years all executives are sweating bullets with so much money invested into these projects failure can be devasting. The peculiar timing has helped Blizzcon by giving attendees and those of us at home something big and unexpected like a Diablo IV announcement.
Our gripes with Diablo III ranged from reducing the customization options for play, the lack of modding ability for PC versions to the killing off of characters and a short campaign and dull end game. If Blizzard can address these issuess perhaps we can be given a game with a long life and support from the publisher but despite not mentionning Diablo IV as an MMO we cannot help but feel that is could be the direction we are going similar to Neverwinter and Paths of Exile instead of going the Original Sin Divinity route which had proven to be better titles.
I can recall hours in lan parties playing Diablo 2 and have fond memories of carefully distributing my points in the skills tree to debating with my comrades which class to select to make for a better party. The feeling of triumph after slaying demons with my friends through what felt like endless caves and finally saving the folks of Kingdom of Khanduras. Yes, good times indeed and hope that my scribblings may encourage you to give Diablo a chance and perhaps enjoy the game and setting that changed gaming forever. We hope to write more content on the series and the story behind Diablo so feel free to request and article to expedite our efforts.
You can purchase Diablo on GOG including the Hellfire expansion HERE
You can buy Diablo II base game from Blizzard HERE
Be sure to like and subscribe to our Facebook Page to be in the loop with all things nerd. Newsletter and Podcast coming soon and thank you again for your support.
*Nerd Dimension claims no ownership or copyrights of Diablo or any Blizzard properties
Mykal talks with one of the Italian Trio behind Medieval – Tales from Europe to bring you guys more info on the this new, exciting setting aimed for 5th Edition players looking for more realism in their tabletop rpgs.
It has been a while since we last delved into the depths of tabletop RPGs and are fortunate enough this time to bring you some firsthand testimony and insight from a designer himself, Andrea Oneglia of Tales for Gamers Publishing (wicked nice name btw) whose efforts are focused on the release of his debut RPG setting Medieval – Tales from Europe which will be hitting Kickstarter soon.
Medieval – Tales from Europe is a historical setting that wants to bring the role players into a bizarre, unpredictable and absurdly real world, soaked in esotericism and full of that fairytale atmosphere that only the Middle Ages can offer, now finally proposed in a classic manner for the world’s most famous role playing game. A low magic system with only one race, the human, and 11 new playable classes will teleport you into the tales of an ancient and tumultuous Europe. Live unbelievable chivalrous adventures mixed with fantastic and supernatural events, marked by typical epic tones and by the satirical and grotesque ones of the folk stories. Keep up to date with the latest released news, explore our contents and support the Kickstarter campaign to receive everything you need to immerse yourself in this amazing story.
What drew me in from the first glance was the artwork I saw in a post he had on a Facebook group we both are members of. I clicked and discovered that Andrea and his team were working on a 5TH Edition Setting set in the Medieval Era which is intended to give players a more immersive and realistic feel. This to me sounded awesome and the further I dug the more I was intrigued and wanted to hear more about it. With information on the project scarce I decided to reach out to the man himself and see what unfolds. Andrea replied promptly and turned out to be a pretty solid guy and upon our request to do a write up agreed with open arms and sent us what he had at the time.
Q1.) So Andrea, tell us a little about yourself? (-short points where are you from, where you grew up etc.)
I was born and raised in Italy, in a small city 20 miles away from Naples, not far from Pompei, surrounded by the sea and by cultural and architectural remains of romans and Etruscan populations. I grew up in a territory rich in history and soaked in mysticism, legends and ancient tales. I grew up with the stories my grandparents used to tell me about the saints and other spiritual beliefs, for example the Jianara (a famous witch who would sneak in your room while you sleep to choke you to death! I’ve never known why!). Most of the time, those stories turned into world war II stories, unfortunately.
Q2) When did you first embark on you journey into the roleplaying games?
The role-playing games came much later in my life, even if the gaming world in general has always been a constant since my childhood (mostly videogames). Another separate hobby of mine was reading and writing, principally science fiction and fantasy. I enjoyed writing stories about interstellar travels, multidimensional existences and a lot about medieval fantasy settings too, things like King Arthur stories or even more unrealistic as Lord of the Rings. At the age of 15 I found out there was a way to combine the two things (games and narrative) and the result was incredible! That’s how I got into the role-playing games world, starting with Dungeons and Dragons (the most popular) and having the chance to explore the others just later. D&D allowed me to bring other people, mostly my friends, into the stories I used to write, to make them see what I see and to make them live the worlds I have created, which was something I have always researched. We from Tales for Gamers Publishing believe in the artistic power these things innately possess and we want to give our contribution in helping others “live” more engaging tales, as the historical ones can be.
Q3) You are a European working in Canada, so have you come across any cultural and business differences since you have moved?
My moving to Canada was a shock I could say. We are talking about a country that turned immigration into one of its main strengths, since it’s a relatively young country that needs young professionals to grow. We can’t really say the same for Italy, where for cultural, geographical and organizational aspects immigration hasn’t been considered as a resource yet. This makes Canada a giant boiling pot where everything ferments, grows and can contribution to a diverse ecosystem. There is space and opportunities for every decent person who feels like making a difference in this world in all the fields, from science to art (there is a huge community of role-players here!). At the same time, being a young country, founded entirely on colonialist politics (that dissolved almost completely what was here before), it doesn’t share the long reaching pasts of a lot of the nation’s back in Europe. Speaking about Quebec at least (where I live), the locals still struggle to find an identity and a link with their past which translates in still keeping today a veiled, and for some traits silly, discord between the French and English cultures on the territory (the two countries who fought for the occupation in the 18th century).
Q4) So what about your setting, Medieval Tales – from Europe (Medieval, Tales from Europe) made you feel confident enough to make the bold step of crowdfunding at this early stage?
The most immediate answer I can offer is: “because I love it!” Because I am the first excited fan of this setting and I like to play it with my friends! Even at the time when the mechanics were unclear, we were already trying (spontaneously, in our game sessions) to build up a more realistic system, more theatrical and less role-standard, more human and less divine, more survival and less chill. I can honestly admit that there is nothing like this around (yet)! Yes, there are medieval settings, some of them quite good, but for one reason or another they didn’t see much success and the gamers community seems still to crave more of it in their gaming. Medieval, Tales from Europe, is also introducing new (or not explored enough!) concepts in the RPGs world (the supernatural and the fear of the unknown, the weapons as ultimate deadly instruments, the concept of ultra-specialized classes), which raised huge interest in the players I shared it with. All these things made me decide to take action, step forward and propose something different to our community of players.
Q5) 11 professions this early seems interesting and from the material you have shown they all vary and will probably feel different. I noticed that you did not shy away from including some interesting yet darker parts of European History including the Surgeon which reminds us of images of the plague. Please tell us about some of the classes and how they differ to a newcomer.
A realistic and historical setting as ours intends to be, needs to start from scratch with the classes. Most of the examples of what we have seen so far appeared inadequate for our purposes. Having the classes boil down to be no more than a fighters, better fighter, other mediocre fighters, but fighters at the end of the day (which, just to be clear, works just fine in some of the amazing and valid RPGs systems we see around, based mainly on combat). With all the respect for those great titles, those classes sounded just wrong for the setting we have started developing. I like to look upon our 11 new classes as actors on a stage, ultra-specialized, very different from one another and, most importantly, irreplaceable! If your party are short an Explorer, the other players need to work harder to compensate some of the benefits the Explorer can provide during travels and still have some needs unmet. Same for the Artist, the Rogue and all the other classes (which are called Professions in this setting). The Surgeon is for sure one of the most interesting actors on our medieval stage! He can provide useful support in sewing the wounds and in restoring your hit points and there will be no one else able to do it in such an efficient way. The Surgeon can be a sneaky danger too if under menace, since he or she knows the body’s weak points, how to damage them or use them during torture. In summary, there is nothing in common in the different Professions except they are all humans with important skills but vulnerable and never perfect; people that try to do one unique important thing: survive!
Q6) Low fantasy as a choice brings a lot with it. You have chosen to limit the playable races to only Human which I think is a pro but I am certain you must have got a few odd looks from some of the folks around the table or at the comic store. Please shed light on the decision and how you feel it will positively impact the game?
A low-fantasy system with only humans came as a crucial choice, even if drastic for some aspects, for the sake of a more realistic setting. This for us is going to add other interesting elements, not remove them as we are trying to be as true to the setting. I will try elaborate with an example. Have you ever thought about how devastating some abilities such as Darkvision (an ability in classic rpgs that allow a character to see in the dark) can be on the narration, on the suspense and the engagement you can have at the table when a character gets into a fully dark catacomb? Why there is even a torch in the starting pack of an adventurer if 70% of the classes can see in the dark and you are never going to light it up in a dungeon (and we could say the same about so many other cool but useless objects)? However, the RPG world is wide and vast, and there are players who love settings where “human issues” can be simply overcome with a snap of fingers. Medieval, Tales from Europe wants to provide an alternative support for those players who seek a more competitive game setting, where you’d better think twice in choosing your equipment if you don’t want to end up alone, frozen to the bones, in a dark cave full of venomous snakes or a bear (deadly situations even for a 20th level character in some cases). Also, these features allow for us to finally branch out for some new kind of stories we can play out around the table, such as the story of Saladin who led the Islamic forces during the Crusades, or the story of Joan of Arc and the Hundred Year war, along with many other historical events that comprise the rich history of Europe. Or those tales between myth and legends such as Robin Hood, King Arthur and Lancelot’s story, and heritage of our European culture, stories that simply need the characters to be human and far fro perfect. Is there another way you can play these scenarios with Dungeons and Dragons without the new features (and the drastic choices) Medieval, Tales from Europe is going to introduce?
Q6.2) In the brief you emailed us you highlighted that Low Magic is different to No Magic and we wanted to give you an opportunity to expand on that for our readers.
When we think about the Middle Ages it suddenly brings up dark images to ones mind such as the esotericism of forbidden doctrines and the use of occult sciences which in the Dark Ages claimed to induce supernatural effects on people and situations (a classic example is the voodoo dolls or the habit of keeping crystals or herbs in the houses to keep the malevolent spirits away). In such a scenario it’s hard to imagine a setting that doesn’t take magic into consideration in some form. At the same time, magic as we know it, described well by the fantasy settings of the past, doesn’t exist in our world and it can’t exist in a realistic setting. That’s why we had to work firstly on the concept of magic we wanted to introduce and then on the game mechanics and how to put it in player’s hands. In Medieval, Tales from Europe magic doesn’t exist, but people might interpret some weird signs and circumstance as such because they believe in it and, most importantly, they fear it! The Arcanist, one of the most magic-like Profession we have introduced, is nothing else than a trickster who is himself convinced of the reality of the effects he creates to be true. Such an insane personality can have a great impact on other people’s minds because he uses fear as a weapon, and he will find out it can be as sharp as a blade. In our setting everything is possible, all the supernatural effects can be realized but only if the character is good enough in influencing people’s mind. How does this translate in game mechanics? There will be no spell list in this new setting. We have introduced (for the first time in a tabletop RPG setting, to our knowledge!) a system where whatever supernatural effect can be created by the player itself, not combining parts or pre-generated words but simply inventing it. The Storyteller will give a score to those effects and the player will need to roll a Charisma check (Influence) to create the right grade of suggestion and make the effect appear real to those who are watching (even if it is not). Some of these tricks can have an effect as real as an arrow in the chest!
Q7) You are obviously intending to run Medieval Tales – From Europe over the Dungeons & Dragons 5 Edition rules set which is the most popular on the market. This is a two part question so sorry Andrea,
What did you like about 5E and how do you feel you added to it with your setting
As an independent publisher and creator can you tell us how it is working with an existing rules set and whether it comes with complications?
The 5th Edition is far from being a perfect setting but nothing ever is to be honest. For example, it gives the impression of going easy on players as a RPG system. I feel players are not challenged enough and a lot revolves around the combat with fewer opportunities for diversifying and customizing the characters that it’s previous editions. Even the level progression, according to the Dungeon Master’s Guide should be triggered by an insane amount of combat encounters, primarily. This being said, the system seems to have a pretty strong up-side, which deserved to be use for our setting: it is incredibly widespread (everyone plays it!) and it’s the easiest to learn, an aspect that attracts a lot of new players. As I said previously, we had to adjust some aspects of the 5th edition engine to make it suitable for a realistic setting but we kept intact most of the main backbone. We tried to make the smallest changes possible, preferring to adjust some mechanics instead of outright removing them and forcing players to learn new ones from scratch. The results are far better than what we anticipated with a more challenging and a more interpretative fashion of play compared to the basic 5th edition. Thanks to the Open-Gaming License (OGL) released by Wizard of the Coast in early 2019, the 5th edition rules are free from copyright and everyone can use them, under specific conditions and with the limitation of not including any of the world-settings the company has created for an eventual business idea. Thanks, Wizards!
Q8) Being bilingual yourself I have to ask whether or not you intend to publish in several languages other than English, perhaps Italian, Espanyol or German?
Out first choice was the Italian language, an automatic choice given the nature of content and the south-European flavor of the setting. Plus, Italy is proving lately to be infected with the bug and in Europe is leading in new role players and in new related contents including boardgame publishers. With the recent growth in popularity of boardgames, roleplaying games and the success of movies like the Avengers and shows like Stranger Things the ranks of tabletop rpg fans continue to grow daily in my home country. We decided to also publish in English in order to reach everyone else in the world and give them the chance to get immersed in the fascinating tales of our continent. If Medieval, Tales from Europe is going to be translated in other languages, it depends on many aspects, mostly the Kickstarter campaign outcome.
Q9) The artwork we have managed to see so far are distinct and reminiscent of Fantasy Novel covers in a more modern style. What is your experience and advice when it comes to reaching out to talent whether it be artists or designers, has the internet allowed for more affordable and efficient collaboration?
The power of social media and this recent RPG explosion we are having in Italy allowed me to get in touch with some great artists in the field. I had the fortune to meet the artists and got them involved in this project quite easily. I guess they saw a chance to get some more exposure (they are all still carving out their own path) and at the same time they gave me the honor of using their amazing illustrations for this project, which appear to fit our vision and one for the project! It’s mind boggling how many artists are out there online working on these types creative jobs, whether it is artwork or game-design. I see a great future for such collaborations and partnerships as more and more talent is taking their abilities online.
Q10) The last question is about the Kickstarter and what do backers get? What are you goals, what is the figure and more importantly, what do supporters get who pledge to your campaign?
We expect to see a great Kickstarter campaign in December 2019 which hopefully will turn Medieval, Tales from Europe from ideas into reality. The funds we are asking for will be entirely used in completing the project, to cover the production and shipment costs of the material we offer and the expenses in time and instruments the artists involved in this project need in order to give us their best. In defining the rewards we are going to offer in exchange of the pledges, we based the decision on a simple concept: we want the player to get what they need to start their experience with Medieval, Tales from Europe as soon as they get it in their hands, and nothing more. We believe that less is more, and we want to concentrate the material in useful products, avoiding unused gadgets. Among the rewards there will be the Player’s Guide in PDF and Hardcover format and some others contents including a one-shot adventure, a little guide for the encounters with some crucial enemies stats, famous medieval characters’ sheet, artworks and more. There will be some good deals for the early birds and for those present in our newsletter list. Most important, we will take care of the shipping cost of all the products and once the campaign is over, hopefully with a positive outcome, our backers will not be charged anything more. They will be invited in a private Facebook group where they can follow the different stages of the project, stay in touch with us the producers and just wait for the product to arrive.
Andrea’s story is one shared by many independent creators but too many allow their ideas to remain nothing more than pencil scratches on the back of a character sheet. Andrea has been thinking and working on a setting with a foundation in realism that itself is historically rich and inspiring. Himself investing into getting the artists to help bring these same ideas to life. The dancing blades that harken to the ottoman and Turkish Empires look fierce while the Warrior and Explorer remind you of the Knights of Britain and the voyages of the Spanish Fleet. This Era in European history is rife with conflict, myths, religion and intrigue so splashing in a dab of fantasy adds just enough to make it feel new and worth exploring. This game is different in the best way possible, it is supposed to be different.
We must commend Tales for Gamers Publishing for getting behind their ideas and having a vision they are pursuing. They are doing what designers could never have dreamed of twenty years ago, today they can call their friends and fans to action. Gamers have elevated crowdfunding to where it is legitimately funding bestselling products tabletop to the Xbox store and Tales for Gamers are not taking much risk. By taking their time to build more awareness for their game they can launch a Kickstarter to an interested public and audience. More important it is great to see an Italian creator and publisher aspiring to make his mark internationally with his work. This is a European project that we are certain will find it’s place at tables across the continent. Our job at Nerd Dimension is help however we can because growing up I always dreamed of being part of the industry, work within in and belong to the culture and now I do. Today we can step up and get behind creators like never before and Medieval Tales – From Europe is something that I feel has been missing from the tabletop and with our help Tales for Gamers can remedy it. We would like to salute the valiant efforts of Giovanni Laudante IT specialist of the group, Davide Santonicola the super fan who always is ready to help and last but not least collaborator Maurizio Infante.
We are going to pledge to the campaign and we invite our readers to check out their page and see what it’s about for themselves. Andrea and his team are communicative and are always looking for more people to hear about Medieval Tales so please give them a like and show them some support. I myself have been guilty of scrolling past Kickstarter posts because most of them fail for a reason but I am glad that I checked this one out. Next time you guys are going through your troll page, click on one of those posts if it seems cool because you could be helping that dream come true for somebody.
I was thrilled to cover this and expect us to have Andrea back on, this time he will appear on our podcast which will go back up when our co-host Bakreni returns so make sure you are subscribed and are following our pages to hear how everything went. Until next time reader, role deep and stop trying to pick pocket in the tavern already!
If you are new to role playing games then I hope this piece will shed some light on the hobby and help further your interest in this truly enjoyable form of social entertainment. Table Top Role Playing Games are not like other games the majority of your friends might play when they hangout in their free time as it has a heavy reliance on the players imagination and it is narrative driven, a story is unfolding throughout play and you can change the course of events by decisions taken by the player. The dice have more than 6 sides or less depending on which ones are needed to be rolled and the game is not competitive in the sense that there is a winner and looser at the end. The game also lasts longer than most traditional board or card games and is played in a way that most people have not encountered as it is vastly different to Uno, Chess or Poker. We will go deeper into the mechanics at another time but it is a very different game that offers a truly unique and fun experience for the players and game masters. I will do my best to help explain what it is we do around the table and why I enjoy it and think more people would if they tried to play TRPGs.
Role Playing Games are games in which the player takes on the role of a character of a certain class and race in often a fictional setting where they are given a quest to resolve. When generating this character you roll or calculate Points for your ability score and distribute them among your skills and attributes which is done during the character creation phase. Different classes possess different talents and abilities as do races which can include dim light vision if you were an Elf or resistance to poison if you were an Orc shaman. Classes can range from the combat focused Fighter to the versatile Wizard and Elves, Dwarves and Halflings are but some of the playable races and classes in some of these systems. These tabletop games are not merely restricted to medieval fantasy settings but those are the ones I prefer and will use them for most of my examples.
Games can be set in any era, in any environment and classes and powers vary from system to system as do the rules of play. Mutants and Masterminds is an RPG system which sees you take on the role of a super hero or villain and battle it out Marvel style while Call of Cthulhu has the players play as Investigators trying to solve a murder before dying or loosing their collective s##t in the process. Some RPGs require a gaming surface and miniature figurines for staging combat, others may use index cards to tell a story while some do not require anything but a piece of paper and is entirely spoken. RPGs come in many forms , levels of complexity and have actually been around since the 70’s with Dungeons & Dragons being the first leading name in the industry and remains so until today.
Gary Gyax and Dave Arneson were enthusiastic war gamers who wanted to create a game in which you controlled a single soldier opposed to an entire unit or platoon. They would eventually brainstorm a very basic Dungeons & Dragons system and later Gary Gygax would publish it through his company TSR. D&D would change the face of gaming forever as many video game developers would use the character stats from their game to develop and design their own games with them serving as a template. In time their brand would have bestsellers popularizing the genre of fantasy further and familiarizing the reader with their RPG settings and lore. They would push the envelope for the entire industry while creating it at the same time. Fantasy was the first setting but later they would release futuristic science fiction settings in Gamma World and other books including D20 Modern where players could use SMGs and helicopters. The whole idea was to give players a chance to enter their imaginations and with their guidelines play out epic adventures all from the safety of their own home and in the company of their friends.
Me and my guild first really got into RPGing because we all enjoyed similar things and for most of us, none of us had a chance to really play an TRPG. We would come together and after long discussions about D&D we decided to give it a shot and start playing. At first most of us were brand new to Dungeons & Dragons TRPG games but we enjoyed reading the books, seeing the great artwork. We did start with a more complex system (3.5 Edition which later evolved into Pathfinder) that did have many stats, numbers, reading and may not have been the best choice for newbies in hindsight. The learning curve is not as steep as it may appear at first glance but it does require reading the material in order to have a basic grasp of how it the game is played. Coming to the gaming table without reading anything is a mistake. With the resources available online today a new player can get a decent idea of what the game is about and a basic comprehension of stages of play and how a turn goes. We ourselves plan to put out tutorial videos down the line.
In the beginning your eyes will be overwhelmed with many of the Character sheets but after a few gaming sessions you will know what to look for and where what goes. With every session we ran we would feel more comfortable with the rules, questions would get addressed and answered and the deeper we delved into this imaginary world. My first character was Marcus Marvella, a Half Elf Ranger with a cliche backstory and I remember how much I like attributes of the class. My brother player a more advanced class of a War Mage, Boris of the Bash Bros was a Human Barbarian and Medeni played a dwarven cleric. All of us enjoyed figuring out which skills and weapons to use depending on the situation they found themselves. We learned very fast that there was a big coop component to playing the game, communication and teamwork is the only way to survive an attack or escape a potentially fatal argument. We also grew closer as friends and before long we are snapping D&D puns and jokes and it was something we all would continue to look forward to until this day.
When you quest you are playing a character other than yourself in a fictional setting where you are not bound by our current reality and norms. Want to slay dragons and rescue the princess, you can do it from the safety of your home with your friends as your allies. Ever wanted to be part of a story as it was written? Solve mysteries in a Victorian city or escape the Death Star with you friends, yes and yes guys. Questing is always going to have more options than any video game because there is no limit to your imagination. Many have described the RPG experience as the players are characters in movie and are playing it out as the Game Master is the director responsible for crafting the obstacles and supporting cast. I cannot describe the laughs had at the table and the tension when the Health Points were low and nobody had any potions and our Cleric was out of heals! The immersion is a big part of why I enjoy playing and running the game. No one session is the same and if done right a session involves just as much role playing as combat encounters.
The community of tabletop RPG players is diverse and the passion for the hobby is very real. There are dozens of groups and pages on social media and websites (cough) including Nerd Dimension who seek to make this hobby more accessible and make it easier for those wishing to pursue it as a hobby. RPGing can be a truly liberating experience, being able to break away from the problems in the real world and it can also be very social if you schedule games with new players once in a while. I hope that this post can help motivate readers to consider playing or maybe return to it now as there are so much more options now. Reach out to members in local gaming groups or go to game shops and see if there other players who need an extra player. The experience can be rewarding and it is better than solitary gaming in my opinion. At the end of every session I feel I did not waste my time, I was socializing while playing a game by telling a story. I do not have the same feeling after playing 4 hours of a PC game or console and my eyes get tired.
If you love playing RPG PC or video games, this is something you should at least look into to get some insight into how your pass time originated. I have noticed it seems harsher for video game players crossing over but there are systems that let you do awesome stuff in the early levels so don’t worry about being bored.
If you love fantasy fiction then I cannot recommend this enough for it is the closest I have gotten to playing a character from one of my favorite novels and immersing myself into a setting. It could also serve as a helpful tool to flush out your own settings and characters if you group are open to trying it out.
If you are looking for something different that could sharpen your writing, voice acting or social skills in general than this is something that could be beneficial to you.
Game Systems I can recommend for new players:
GURPS : A very basic system which is good for a first session as there is less attributes and a basic rule system. A great way to introduce basic character creation and principles of play found in the more complex systems especially for younger players. There are many itirations of the system with loads of settings to choose from and is the cheapest to get price ways compared to the bigger systems.
Advanced Dungeons & Dragons (2nd Edition): A step up in complexity but still easier than the later editions and other RPGs on the market. Despite having more rules than GURPS the AD&D system allows for more options in play and character creation. Good starting point if you have a group thinking of playing D&D the amount of materials and campaigns online to me make this the most fun to run and play for new players from teens to adults. Our very own DM Pat still runs the system until this day and you can catch him on Roll20 running sessions.
Shadowrun: A science-fiction / cyber punkish game which is more focused on skills opposed to class for solving problems and resolving combat. It is a more modern setting and is rich in theme and flavor and serves an interesting alternative to players not looking for Swords and Sorcery. The weapons and races are just as diverse as you can find in most fantasy and the twist of entery this ‘Matrix’ like cyber dimension makes for a unique experience. You have hackers to tanks and working together while one of your runners is disabling a security program is pretty cool. If you want to get a feel for the general idea of the game you can get the Shadowrun PC games for fair prices on GOG and I recommend them.
Call of Cthulhu: A horror science-fiction RPG based on the HP Lovecraft’s Mythos in which you investigate mysterious events and have to maintain your sanity and safety as the Ancient Ones hurl every demonic thing it can at your party. The basic role playing rules make it easy to get into for new players and the horror setting will have players on the edge of their seats until the very end where everyone dies…because it is very very very hard to survive in COC. A must play for all horror and Lovecraft fans thinking of entering the RPG realm.
Star Wars Roleplaying Game: What more can I say. This game was designed to be easy for those taking their first steps into roleplaying games and the theme is there in buckets. It is new and you can buy beginner boxes for cheap and I think this goes over well with younger players the most. Unleash the force with your buddies while recapturing some of the magic of the movies.
Vampire: The Masquerade: A system unlike the others which is more story orientated opposed to combat. The system has a strong community and following is designed with those looking for more storytelling in the game and the setting and theme of vampires is very well done. Take on the curse of the night in the form of unique vampires as you and your party have to decide how to operate in this hidden world. There is a great PC game developed by Troika of this system which I recommend.
There is something for everybody in the world of tabletop RPGs and maybe this post helps somebody choose to give them a shot. Until your eyes gaze upon my humble writing once more please let us know what you think of our content in the comments section below. If you like what you read so far we welcome you to subscribe and follow our social media pages and podcast.
*Nerd Dimension also have started recruiting members and players for our Sci Fi Fantasy Club in Kungsbacka, all you need is the app Meet Up to find and get in touch with the group.
Mike reviews his pocket edition of Paizo’s Game Mastery Guide. Is it worth the money and space saved?
Paizo is a company that means a lot to tabletop RPG if for nothing else for making the best use of the OGL and using their pioneering spirit to change the landscape of gaming. Paizo took a system that I myself loved which was 3.5 Dungeons & Dragons and later expanded and streamlined certain things allowing for truly an individual experience for role players. The system built upon yet kept key elements and mechanics such as alignment, attack opportunities and the feat system which made for a plethora of customization and a feeling that you were in control of your character with no character in the party really feeling or playing alike. I hope to provide more in depth articles and posts about Paizo and their contribution to the industry so plesae subscribe to Nerd Dimension.
Sure, D&D 5th Edition is a system onto itself and I give it credit and maximal respect for making a smoother system for new players and recapturing another generation with the bug that is tabletop role playing. However, as someone who enjoys Pathfinder and is not a fan of math I still managed to get used to it and with a little effort was GMing long sessions and my party never complained after the first few combats. Not to say I myself have not enjoyed 5th Edition but I find myself missing the tons of source books available for 3.5 with the simple conversion and the vast library that Pathfinder itself provided. I will recommend that anyone just getting into role playing games should start with 5th edition as it is a less complex system with more focus on the role play aspects of the game with a simpler rules set while being far more streamlined for newcomers.
When returning and launching my group back in Stockholm I could not afford to buy too many books as I had digital copies of the core book and a few supplements so I opted to buy Bestiary 1, Advanced Classes and the Game Masters Guide with a GM Screen. My thinking behind the decision was also the space and weight both on the table and to carry around as I was actively looking for new players and venues to play. Having a portable set up for Pathfinder didn’t require much more than my Ipad 2 and the books which all fit in a backpack along with the stationary, battlemat, dice and miniatures. Subscribe to read our GM load out in the GMs Chamber that me and Bakar will put together if you are curious about stepping your game mastery up notch or two.
The book is great and the print was not as small as I feared it would be but I do not require the aid of spectacles just yet but some of my players who do wear glasses were a little irritated by this. The book has everything that the bigger book has just in a smaller print so I cannot complain about the quality or of any errors in printing that I came across using the book. I am a fan of the artwork and style used by Paizo through out Pathfinder and Pathfinder Society and it looked good in Kingmaker. I can say that I feel that Pathfinder did a good job concerning how the spread their information in their smaller books and it scaled well. I can say that the smaller size allowed me to take two books with me to work and spend lunch putting post its on pages I knew I would be referring to that were not on the screen. It was did make my backpack a little lighter so I can say I am a satisfied customer and that Paizo delivered.
Now with Pathfinder Second Edition officially out I am eagerly awaiting to hear the experience of players and GMs alike concerning the new mechanics and how it compares of the original Pathfinder.
Mike & Erik attend the Göteborg Comic-Con, highlights and their thoughts on the event
After the changes here at Nerd Dimension, one being my music career taking off just as creative differences and moving left us with no studio or staff to continue. Upon my return to the snowy north I found myself with some time on my hands between meetings I learned about the con in Göteborg that was coming up. I reached out to my new friend Erik and we decided that we would attend the con. It was my first con in Sweden and I was looking forward to checking out some of the stalls and hopefully re up on some books and gifts for loved ones back home.
What seemed interesting was that Gaten Matarazzo (Dustin from Stranger Things) and Alexander Ludvig (Bjorn from Vikings) would be there and I almost took my Stranger Things poster, but I didn’t in the end which I was glad about after the fact. Seeing such big names did make me wonder if the con manage to get some support from the big companies perhaps merch and giveaways. The comic artists who were there did get published by the big names but they were not any we were familiar with and when I arrived they did not seem too keen on talking as no one was cuing for them. Regardless of the lineup my seconday motive for attending was also checking what the stalls full of preloved goodness had to offer as I had realized there was not much in the form of gaming or tabletop sessions that was organized.
Me and Erik grabbed burgers en route to the con and got sufficiently psyched about attending and the weather was very nice for Sweden in May. After finding the parking lot we walked past a decent amount of cosplayers, so many that I started thinking it would be packed wall to wall with fellow nerds. As we approached the entrance we hear country music and a van plugging a band while Spider-Man and some obscure Anime character are striking poses. Immediately I was thrown off by that and a pony dressed up as Batman brought up a question mark. Yes, you read that right. There was a pony in costume to the side of the convention center which also is next to the horse track. I guess it could be fun for the wee ones to have something else to do but I figured maybe Knights or Cowboys might have gone over better for a stead.
When we entered we did not see such a huge turn out, surprinsingly as I figured the one con of the year might have drawn a few more like minded folks. We purchased our day passes and entered the convention area. First thing I notice are some stalls with sharply dressed people who looked like they worked at an electronics chain but none of them seemed to be pushing any hardware. A few animantion companies, but nothing that drew our attention or stood out as something interesting. We get to the center of the convention hall, noticing that the space was not really used up to its fullest with corners walled off flimsly. It looked pretty vacant other than a long cue of cosplayers waiting for the contest which really was the majority of the attendees we would later find out.
Me and Erik continue deeper into the convention center and find the gold we were searching for. We find a few comic book vendors and obviously I hit big so expect more comic reviews. Nostalgic Comics had a great selection and had fair pricing on certain books so after getting a few I slid over to the next stall and found shelves of anime DVDs and BluRays. I found a few DVDs that looked interesting but the prices were were pretty high even for the regular DVD collections so unfortunately I had to pass on those purchases.
Concerning gaming we managed to find a second game store operation working mostly online and at conventions which had interesting items including memory cards and other smaller console accessories which were fairly priced. I am considering getting a retro console to catpture some game footage and did buy a Gamecube game for 10$ which seemed OK considering you can’t find too many of them out here in Sweden. Erik purchased some Playstation 2 games and a memory card along with some comics.
I was disappointed with the lack of vendors present at the con and there was no big Sony, Microsoft or Nintendo stalls plugging any games and HBO sent a few promotional models and props but other than that I felt the content was lacking and we were done in 4 hours and that was with us taking our time. There were some interesting exihbits for Swedish authors which I felt was nice to see, always promising seeing independent authors get some shine. I found classic Dylan Dog collection prints but they did not have them in English so I passed.
Before leaving we wanted to check out the cues for the actors and saw that the price was north of 50$ so I was really glad I did not bring my poster. Moving forward we decided to make our way back to Kungsbacka all the while discussing some of the shortcomings of the con and the potential it had.
I would have to give them credit for continuing to keep the event going but I feel they should get more content including workshops, displays and even performances. The lack of content just disappointed me, I mean why could they not have at least held a few tournaments in Street Fighter or have Marvel vs Capcom etc. Maybe schedule a screening of something perhaps but it seemed like the con fell short of giving us enough selection in how to spend our money. There was one vendor selling consoles and games and there was no other real gaming presence. The kids seemed to have a good time but there was definitely more that could have been done to keep them entertained. I mean why not have had some tables to play Marvel Legendary and other comic related board games. Just a few ideas should the organizers find this article. Seeing as we only attended the one day I can only give an impression but seeing as we were there for what looked like the big day it is safe to say I did not miss anything ‘big’ so my grading will not be too harsh.
I give the con a grade of 5 out of 10 if for nothing the facilities were clean, parking large enough etc. and there were enough vendors for people looking for deals and hard to find comics could make off like bandits.
We hope that Hero Con tries to integrate more gamers and nerd culture into the next Con, perhaps reaching out to gaming clubs and groups to GM sessions on day or host board games. When I was organizing a Con in Croatia which was the first Con in Dalmatia of its kind we managed to sell board games, have people playing board games and even getting a movie screening. You do not want your con goers to leave unhappy or feel bored. The price was not too expensive but if I was to be honest I did not get much out of it and Im deep into the culture so I can only imagine the disappointment on some of the visitors who may have left without anything memorable including the experience.
Hope that you enjoyed this post and look forward to reading some of your comments. Were you present at Hero Con? Which Cons do you recommend in Europe? Let us know and until next time, Quest Strong and enjoy your roles.
Lamentations of the Flame Princess: a review of the game system
By Bronze oldie
I was asked to review Lamentations of the Flame Princess as a game system. In case you are not familiar with this, Lamentations of the Flame Princess (LotFP) is a game company that pulls no punches and is publishing some of the highest quality and innovative RPG material on the market today. The quality of the art and the way that the books are put together is amazing. It’s very surprising to me that LotFPis able toget such high quality artists, when Wizards of the Coast, with backing of the Mighty Hasbro corporation, who have the ability to outbid everyone else, produces such comparatively inferior art for their games.
LotFP publishes a wide variety of modules and game supplements. Some of them, like Carcosa or A Red and Pleasant Land are game worlds. Some are modules that you can easily plop down into the middle of a regular D&D campaign. But most of the books take place in a game world that resembles 17th Century Earth: the time of the English Civil War, the 30 years war, and Pirates of the Caribbean.
But at one point, the decision was made to make a game system to go with the books. It was originally released as box set with a players handbook, a referee’s guide, a module (Tower of the Star Gazer) and a book on how to play a RPG for people who have never done that. Since then, the players handbook: Rules & Magic has been updated. It’s available for free without the art. But the paid version without the art is much better. On the other hand, this is a game for adults, and the art reflects this. You might not want to give the book to a child if you have not seen it yet.
Looking through the book, it is mostly a clone of TSR version of D&D that is closest to the B/X version of the game. 21st century players are used to each edition of D&D being radically different from the previous version. But the TSR versions were more alike, similar to the way that 3.0, 3.5 and Pathfinder are similar. There were slight variations between TSR versions of D&D. The worse Armor Class was 10 in some versions and 9 in others. But Chainmail was AC:5 is all versions and Plate mail+Shield was AC: 2 in all versions. LotFP is very familiar to players of TSR D&D, with only a few, but significant changes. It has the same seven classes that go back to the original version of D&D. (Cleric, Fighter, Magic User, Thief, Dwarf, Elf and Halfling) Skills are rolled on a d6 instead of a % as TSR does or a d20 as 3+ editions do. The Weapons available have a few things that are spelled out, and all others are grouped according to their size.
But the biggest difference in LotFP is that the classes are more separated. Every Class is the best at something: Fighters are best at roll-to-hit, Specialists (Thieves) are best at using skills, Dwarfs have the most Hit Points. Halflings are best at Saving Throws, missile weapons, and Hiding in the wilderness. And the Magic of Clerics and Magi are completely separated. With only Dispel Magic on both spell lists. Also, the get-out-of-jail spells have been removed from the list. (Raise Dead, Resurrection, limited Wish, Wish) also, the damage dealing spells have been removed (Fireball, Lightning Bolt, Cone of Cold) leaving Magic Missile as the “go to” spell for dealing damage (which has been increased to 1d4 per level) And there are some interesting new spells. The combined effect of these changes are to make Magic dangerous and scary. And a recent book: Vaginas Are Magic, introduced a new rule that made 9th level spells potentially available to a 1st Level character.
However, the LotFP rules can sometimes confound player expectations if they have played D&D. For example: Starting in Original D&D and throughout all the boxed sets, Halflings were always a variant of Fighter. But starting with (1st ed) AD&D and on through all the later versions of the game, Halflings were strongly encouraged to be Thieves. In LotFP, Halflings are more like the 2-5th editions’ Ranger.
And players who are used to using the rules to defeat the monster instead of role playing, who are used to Feats and Skills for all classes, won’t like the simplicity of the the LotFP system.
There are some who think that LotFP is more dangerous than other games. And it is more dangerous than the 3-5 edition games that Wiz-bro puts out. But it’s not any more dangerous than the TSR versions of the game. The big difference is that in the TSR versions of D&D, your character could at any moment be chopped up by and axe-wielding Orc. In LotFP, your character might be pulled away to the home plane of the eldritch abomination that you Summoned and failed to take control of.
New podcast up, twist up, flip the cap and lay back as the nerds take you for another joy ride through fun fantasy and f##kery
In this episode our three terrible hosts discuss couch coop titles, some of the best games, a few undiscovered gems and give you their usual spiel. Apollo is still the overbearing intellectual, Gus is always trying to bring the balance as Mike continues to throw out crazy comments like they are going out of style. So sit back, relax and enjoy 🙂
The nerds return with another throwback installment in which we tackle many issues and of course go overboard with our sound effects and trolling. Apart from giving listeners our opinions on the listed below we through in our specific brand of humor as to offend only the most sensitive of listeners. We try to not make time sensitive content so that you will never feel like you are keeping up with a trend or listening to another pod-casting reviewing the newest products. By not having sponsors we have the liberty of talking about what we want, the way we want and pick and chose topics we feel may not have been discussed enough or from our position. In between day jobs, shows and other day to day BS we have to deal with we gotta vent somewhere about the shit we love so enjoy as we talk about:
– D&D Shadow Plague (Comic Review)
– Fairy Tale Fights Review (Xbox 360)
– Shadows Over Camelot (Board Game Review)
– Book Recommendations
– Apollo still hating on flat chested actresses portraying Wonder Woman !
And of course over the top sound effects !!!
please remember to like, subscribe and comment on our social media and share if you feel like it so more people can enjoy our content. Thanks
One of the most popular games out now makes the cut. Read more to see why we enjoyed this card drafter
I first saw this game being played at a convention and it seemed pretty interesting at a first glance. Building up wonders , I think five people were playing and the artwork really impressed me. It really looks like the developers and publishers had really put in some hard work. The different size cards and draw system intrigued me and the players seemed to really be having a blast. I was still kinda new to the drafting card game as a system but I liked how the game seemed to flow pretty fast despite all the players. I watched a few turns play out before grabbing a smoke break and talking to someone who had played it before where they broke down some of the core mechanics. At the time he mentioned how the expansions added more to the game and how he was surprised I had not come across it before. It seemed like something I would like to play, it had enough moving parts and flavor I thought to be something worth buying especially when you can play up to seven out the box. It is hard to find a board game that can scale well and I am always looking for games that can include more players as I rarely have the perfect numbers to run some of my other board games which often cap at 4 to 5.
Only a few months later I find myself playing the game with some friends after a dinner party and I was instantly sold on it. It did not take long to explain the rules and the beautiful artwork and colors added to theme. The owner of the game we played had it very well organized so the set up was pretty smooth and it just looked fun and the dinner table sat 6 comfortably so there was ample room for the guests. The system of play was new to me and the way you drew cards and point system made sure you had several ways of winning the game which several of the players found interesting along with the diplomacy and deal brokering that could occur between turns. The energy at the table felt like everyone was eager for the next turn and after a few turns the players stopped asking questions and kept things moving. Despite the game not being cooperative it did not really have us at each others throat and was not too rule heavy. This all added to the excitement and I decided that it would be something I purchase for my new group when I move to Sweden. The game has been critically acclaimed since its original print in 2010 for Repos Production from Belgium. Designed by Antoine Bauza, a designer I was not to familiar with but he won the Game of the Year Award (Spel Des Jahres 2011) and apart from that I could not find much on him online.
When I walked into Dragons Lair and saw they had all the expansions I figured this was a game that has staying power and obviously is well supported by its publisher. Another thing that was an unofficial cosign was that several of the store’s customers I asked for opinions said the game was easy to learn and fun to play. In fact out of the four people I asked all four had played and had something nice to say about it. After reading more about what the expansions offered I immediately bought Leaders and the stand alone Duels so that I could play with my Girlfriend who was keen on the idea after already playing the basic Settlers of Catan game for boardgaming.
The first time we played we had 5 players and it took us in total two hours to run the first game but it was thoroughly enjoyable for everybody involved. The rules were pretty straight forward, the color coding of the cards you drew and their abilities made for some interesting back and forth across the table as players new to board games quickly got a hang for the mechanics. The time system makes sure the game does not last too long so the next few games were around an hour and some change. I do not see how someone could play it in under an hour with 5-7 players unless they all shared the same degree of experience in playing it.
7 Wonders plays like no other game I have played before, the artwork is brilliant and the the mechanics are really quick to learn even for the most novice of players. The game has replay value and just looks inviting once set up. If you are thinking of the next board game you want to buy for your group to play every once in a while that is not too intense 7 Wonders is what you should be looking for. What I really enjoyed was how the game forces you to consider and pay attention to what is happening around the table, meaning more interaction between players and a interest in what they did in their turn. It has enough strategy that my brother who is a stern strategy game player had a blast setting up resource cards and building up his forces. There is something to building up an ancient civilization and constructing a wonder that is just awesome for the average history buff like Apollo.
The downside is that is that it is not a cheap game and the cards should be sleeved for repeat play. The thing about card heavy games is the constant shuffling and use results in wear and tear and 7 Wonders really looks too good that the aesthetics are a huge part of why you like the game. The sleeves just keep the game looking good for longer and saves your nerves when sticky fingers threaten smudge a card. That is where it gets a little tricky because the game is so popular and demand for those specific sleeves so high it is hard to find them in-stock at most online board game retailers. I have spoken to several clerks who have confirmed that the suppliers cannot ship enough and there are shortages in several countries. The sleeve size is not as common as the american board game or trading card game which does add to the problem. Apart from the money you have to invest the game does require a bigger playing surface to fully enjoy everything, much like Mare Nostrum, Twilight Imperium and any of the newer Dungeons and Dragons board games from Wizards of the Coast.
After discussing with my fellow Guild Members and Nerd Dimension crew we came to the decision conerning the score.
7 out of 10
Out the box the game is impressive, easy to learn and will have you coming back for more. Due to its simple and fun play mechanics even players new to the genre will easily master it. We took points off for the price point, space requirements and do feel that the expansions did fix some things to make the game more interesting through new options and the introduction of new mechanics. This game is worth the money and we suggest reading up on the expansions if you are a seasoned player looking to have more depth and flavor out the gate. 7 Wonders has done great and stood the test of time, we predict that the game will continue to dominate and is firmly in the position that few title can claim.
please be sure to leave your feedback in the comments bellow and subscribe so you can see our reviews of the expansions for 7 Wonders.