Why you should – or shouldn’t – play Warhammer 40k in 2021

I’ve been out of the Warhammer game for over 15 years at the time of me writing this article. I have however continued reading the books, and tried to keep up to date with the lore – but being the massive universe that it is, it’s a challenge just to keep up with the basics.

When I found myself with some more free time between work, iI’d already decided on one thing I wanted to do – get back into Warhammer. 

Playing Warhammer when you’re a teen can be tricky. First of all, Warhammer can be a very expensive hobby to participate in – at least insofar as the tabletop miniature game goes. As a teen, you usually don’t have the financial means to collect, play or engage in the hobby to the extent that you might want to. This could be the reason why the game did not gain as much traction to become a mainstream IP until the last two decades which have now made it one of the biggest gaming franchises in history. 

As an adult, however, while you usually have the financial means, you may lack the time needed to fully invest yourself in your Warhammer hobby or have the required spaces to host the battles. When I started my hobby back up again, I knew I had to moderate my expectations. While I could buy all the models and supplies I wanted, I knew that it would take significant time to paint them to a standard I’d be satisfied with. A long project, as it were.

Still, despite it being a long project, I believe there are reasons why you as a gamer, as a hobbyist, a sci-fi/fantasy enthusiast, should want to play or engage in the massively interesting hobby that is Warhammer – and in this case, specifically, Warhammer 40k.

In this article, I’m going to plead my case if you will – and also mention some of the cons and arguments of why you maybe would want to consider not getting into the hobby.

The game

Warhammer/Warhammer 40k is a miniatures war game that’s mainly aimed at a demographic of 15-50 years old – most of them male though their big boom in the late 80\s and early 90’s saw it grow in popularity with younger players as well, as young as 12-13 in some instances. The company that makes the game, Games Workshop, was founded 40 years ago in the UK and has since then become a company valued in the billions. While other toy companies are failing, and people are losing interest in many physical toys as opposed to digital ones, Warhammer and Warhammer 40k is thriving in ways it never has before. Aside from an resurgence in tabletop/classic gaming overall, Warhammer is thriving even more and growing its fanbase.

How can this be?

1. The Setting/Universe & Peripheral lore products

The detailed setting of, in particular, Warhammer 40,000 is a rich setting filled with literally hundreds of novels/books, and tens of thousands of hours worth of lore, content, artwork, audiobooks, and products to feast on. The Warhammer 40,000 universe makes almost every other setting appear underdeveloped by comparison. Star Trek is a joke when holding the details and attention paid to the universe Games Workshop have nurtured for decades. Star Wars may be fleshed out well in some ways – if you include comics and novels – but Warhammer dwarves their catalogue. Dungeons & Dragons isn’t a setting in itself, and Warhammer 40k easily eclipses popular settings like Faerûn and Eberron. The Warhammer 40,000 lore is bigger than Star Trek and Star Wars combined. 

Top 10: The largest and coolest Warhammer miniatures - Geek Indeed

I’ll go so far as to say that no setting is as well-fleshed out as is Warhammer 40,000 (just my opinion, crucify me in the comments if you must!). While Warhammer fantasy (or AoC) has a well-thought-out setting, the background pales next to what exists for 40,000, which is one of the reasons you find more people leaning towards 40k rather than AoC. That, and how Space Marines have always appeared cooler to boys and were designed and marketed in that way.

The backstory and lore is rich, and it’s easy to get caught up in it – at least how I see it. The peripheral lore, books, and settings that go with it make it one of the deepest settings in existence, in my opinion. Certain settings aren’t that interesting to get into if you’re not engaged in the playing of the game but nonetheless the settings are there. In my opinion, the Warhammer 40,000 universe by itself is good enough to captivate, even if you don’t play the miniature game with its dystopian and dark futuristic narrative.

2. The models

How the models look is a big part of the success of the game – and the fact that the company employs, and holds a competition for master miniature painters to achieve results like above, and showing players what they could do, is a big part of the popularity of the game and why it has maintained a steady player base.

3. More than a game – Games Workshop knows its stuff

Do it the way you want to.

Warhammer 40,000 is:

  • A miniatures game.
  • A tournament game
  • A painting/collecting hobby
  • Books/Audiobooks/Comics
  • Computer games

The fact is, Games Workshop has done a masterful job of creating what is essentially crack for the middle-class nerd with disposable income, and a hobby that younger nerds look to and may want to play or just awe at in store displays. It hasn’t always been this way for the company –  over a decade ago, it was in a slump and it seemed doubtful whether the business would survive or not. 

However, leadership adjusted, the company grew, invested, and expanded, and now we’re looking at a company that essentially “owns” both its setting rights, the production supply of miniatures, the books and everything having to do with Warhammer itself.

And they’re executing their plan to get people involved in a masterful way while making impressive profits.

These, I believe, are some of the main reasons why Warhammer is so successful. 

However, why should you play the game? Why should you get into, or take an interest in the massive setting that is Warhammer? Here, I’m going to be talking mainly about the miniatures game – but many of the arguments can be used for the books or peripheral products as well.

Let’s take things point by point – Why you should play Warhammer.

1. Increases Attention Span & decision-making skills, patience, and Fine motor skills

2016's Miniature of Year - Warhammer Community

Working with Warhammer miniatures can be a mundane and grueling task to some. The detail required in assembling and painting the things will test your patience, fine motor skills, and attention span. Good results here will depend on your ability to handle both fine tasks, and repetitive tasks – any of these things are valuable skills both inside Warhammer 40k  and in the real world. This point is of course not unique to WH40k, but other miniature games may not have the same combination of media, or the wealth that Warhammer offers to players. 

Simply working with the miniatures and doing your best to assemble and prepare them in a way that’s attractive will improve the skills you have.

2. Actual practice of skills, such as math

What is Mathematics? | Live Science

Actually playing with the figures will require different skill sets. The measuring, memorization, and the sheer amount of rules to remember, dice rolls in the dozens, and to quickly crunch relatively simple algebra will still offer opportunities to improve such skills while playing a game. This differs markedly from playing the same game online or digitally, which to me is a huge bonus.

Depending on what level you play the game – everything from casual to tournaments – it will tax different levels of your strategic thinking and other, related skills, all of which are transferrable to the real world as well. In the end, playing a game like Warhammer brings with it many of the same boons we see in playing sports (although the physical exercise won’t be all that significant here).

For this reason alone, it could be an argument to play strategic board games, even if you don’t play Warhammer.

3. A community spanning several age groups/categories and exists in most places

Home - Warhammer Community

Few communities for board and miniature games rival that of Warhammer. The community is global, with clubs even in mid-sized towns, and the hobby popular in many European countries and the US. You’ll usually (outside of Covid-19) have a relatively easy time finding people to enjoy your hobby with. 

What’s more, these people will typically be of all ages and many different backgrounds. Now being nearly 40 years old, many of the people who began playing are in their 40’s or 50’s now, with many of them still playing the game to some extent. It’s always a great hobby, and a great outlet, when people of all age groups can enjoy the same hobby and get together in the same setting. 

Overall, the community which can bring people together is another reason in favor of Warhammer. 

4. An artistic hobby & creative outlet

Creative Assembly får Warhammer-licens. Spännande! | Feber / Spel

Obviously, working with Warhammer will cater to your creative side. The painting, the modeling, the building of your army – all of it works to encourage your fantasy and imagination. You can play the way you want, model your army the way you want. The rules even have support for creating your own specialized army setups, and the company actively works with you if you want to customize your models further, providing details and tools for you to do so.

Warhammer is like lego for adults – your imagination, not much else, sets the limitations here.

5. A non-digital hobby in a digital age

In an ever-increasing digital age with our children and friends spending more and more time in front of screens, I view it as important to encourage hobbies that take us away from the digital world and the screens. While parts of Warhammer can be made easier through the use of modern technology, it is the low tech of the board game that I find appealing here. 

I believe it crucial that we spend more time with each other – not through screens and digital media, but around a table, or in groups, engaging in socializing, games, thinking, and just plain fun. Warhammer is a hobby that offers all of these things and offers it to all demographics and categories of people. 

6. It’s just fun.

Space Marines Showcase: Darcy's Imperial Fists - Warhammer Community

Playing the game is just plain fun. I play an Imperial Fist army in the 40k universe and setting my majestic, sun-yellow warriors of terra against a Xenos horde or the traitor Astartes is always a fun time. Strategizing and trying to outthink, outflank and use my resources better than my opponent. Cheering the dice rolls when they go my way, and cursing them when they do not. Build amazing battlefields that we can play, and enjoy.

All of it is great fun – and this is the main reason the game should be played and enjoyed. A hobby that wasn’t fun, or this much fun, I would spend neither the time nor the money on.

7. You will be constantly challenged

Review Roundup – Imperial Fists, Salamanders and Aeldari – Goonhammer

You can expect a constant challenge when playing Warhammer. The rulebook alone is several hundred pages long, and scenarios will always bring up questions regarding situations, or how to interpret the rules or how to make something as fun as possible. This is not even mentioning the challenge you will find yourself in if you start looking at tournament play, which is of course an entirely different ballgame. 

I myself haven’t always enjoyed being challenged – but everything from the assembling and painting to the playing is a challenging endeavor with Warhammer and in a very good way. That’s also a reason why I find playing Warhammer to be worth my time. 

The flip side

Like with any hobby, there are downsides to Warhammer as well. It wouldn’t be a balanced nor even an attempt at an objective piece without getting into the cons of the game, and the hobby. 

I’m going to keep it simple here, however, as I really believe it is a quite simple side of cons.

There are two main reasons why you should consider not getting into at least the miniatures side of the game. 

1. The cost

Games Workshop has made certain that if you want to play Warhammer, they’ll get your money somehow. It doesn’t really matter to what extent – if you want the miniatures, the paints and supplies, the books, the peripheral products, everything is priced accordingly and for many can add up to a kings ransom for something which is designed to get you hooked. Warhammer is miniatures war game and your units determine the strength and scope of your attacks and nobody wants to be the guy who shows up with 4 infantry men against an armored cavalry. 

While the company has of course spent billions (likely) to perfect its manufacturing techniques, it does hurt to pay $80 for less than a pound of plastic pieces that come in the shape of a space marine chapter master. 

40K: Mortarion Unboxing - Bell of Lost Souls
Games Workshop Webstore

Even the main troops aren’t exactly cheap. Running a 1000 point army will quickly push the price tag above $200. Include the supplies you need for painting, and if you want the company’s paints, that bill goes above $400. With rulebooks, sets of things that you, strictly speaking, do need to enjoy the game, very few people can properly start the hobby below $500.

Most spend far, far more.

To some, and certainly to most kids, this is prohibitively expensive. There are of course ways to cut the costs through package deals and similar things, but the fact is – this stuff looks good, and it costs even more. The end results may be very impressive, but getting there will take heavy, bloody chunks out of your wallet. 

Don’t listen to anyone telling you that you can start “on the cheap”. Warhammer is an expensive hobby, and if you get into it, you’ll find yourself either spending a lot of money or cursing yourself that you don’t have the money to spend.

2. The time dedication

Secondly, Warhammer takes time. This is less of a problem for many people, but it may be a problem to some. Not everyone has the time to spend dozens and hours (and it will take dozens) to prepare an entire army. The games usually take between 2-4 hours depending on size, which is something that for many people still can be handled – but you do need to realize that the game will take some of your time if you get into it – and if you decide that you like it, it’ll take a lot of time.

Therefore, the ideal player for Warhammer that I see, is someone with a decent job, some disposable income, and plenty of time on their hands. That’s a slim group, so most of us have to make do with some shortcoming in this list – but it’s usually something that we can work around.

3. The Nature of Miniatures Game

With more alternatives Games Workshop has managed to adapt to the industry but it is not the miniatures alone that are lining their koffers, moreso it is the IP which has been licensed out for anything from mobiles games to remastered pc games. Miniature games are focused on collecting units and going to war with your opponent and mobile pvp can provide that for far less of a time and money invesment.

There is no story to speak of as you are in a skirmish or conflict opposed to a campaign where you see narratives and plotlines unfold. You do not level up rather you buy stronger units and this mode of play is not for everyone especially if you are the kind of person who dislikes pay to play games or do not have the time and resources. Miniature games are linear and are a time investment when playing similar to tabletop rpgs but whereas D&D is a social, cooperative and collaborative experience Warhammer on the other hand is competitive and does not have as many players.

In the end, nothing should really stop you from enjoying the hobby if it’s something you find that’s to your liking other than finances.

To play or not to play Warhammer? I see it as an easy choice, at least for myself. I love the game, I love the setting, I love the lore, I have a great job and I’ll be playing and enjoying the game for many years to come.

I hope to see you around, fielding your own armies, and that we will meet in joyous battle (or alliance) one day.

Dungeons & Dragons : Shadows Over Mystarra – Coop Arcade fun for 4 (Xbox, PC)

I can recall first the first time I watched the Dungeons & Dragons cartoon in the early 90’s and loved the idea of heroes adventuring in a fantasy world. Not comprehending the complexities of tabletop RPGs I just loved the stories and that was enough. Then I remember going to the arcades with my brother and we loved playing coop games like Metal Slug and Teenage Mutant Ninja Turtles which even allowed for up to 4 players. I would read about Dungeons & Dragons Tower of Doom that was released in 1993/94 for the legendary CPS-2 machine by Capcom, a developer and publisher all kids we all too familiar with. Tower of Doom would not be the first D&D game released by Capcom with TSR after signing their deal in 1990 which resulted shortly after in the porting of Eye of the Beholder to the SNES.

arcande cabinet220px-Tower_of_Doom_sales_flyer

 

 

 

 

 

 

 

The artwork in the magazine was evocative and the cover featured the standard party with the Dwarf, Cleric, Warrior and Elf. At the time races were classes as they were using the AD&D Rules Cyclopedia rules when designing the game which also made it unlike any other side scrolling beat em up game. Not only had they gotten the rights from TSR for the system but they also were using a popular setting from the AD&D books. At the time fans of D&D had gold box computer games and other iterations of their favorite tabletop game ported to the PC but nothing that looked as good as what Capcom released and no game allowed for up to 4 players couch coop! The game would eventually see it packed with the sequel Shadows of Mystarra (Dungeons & Dragons Collection 1999) for the failed Sega Saturn console but only Japan with the removal of 4 player capabilities.

tower of doom opening screen

The things that made this a different gaming experience for arcade goers was that it allowed players to do more than just simple attacks, infact Capcom wanted to remain true to the abilities existing fans of the tabeltop game loved so much.  Capcom would enlist the talents of video game and anime concept illustrator Kinu Nishimura (Street Fighter games and Capcom Vs SNK) while leaving the writing duties to Alex Jiminez who did great in translating the feel and narrative of Dungeons & Dragons to a more mainstream audience. Players would be able to select abilities and feats while picking up items and loot which was stowed in their inventory. Prior to this inventory functionality and the differentiation of what each character to do made this a gamechanger in the early 90’s, the last era of arcades still being relavent in gaming culture globally.

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The game had miles of depth on the competition at the time, it was hard to complete and it played different depending on the choices the players made in game. A store and and the addition of a block function helped players survive a few more kobolds. D&D fans coming to arcade would be pscyhed when they saw the inclusion of their favorite spells including, magic missile, fireball, cloudkill and invisibility along with the same limitations from the book meant their exzisting knowledge would allow for them to get the game from the first quarter. Levelling up and loss of gold and points when dying made it a game where you had to think more than your would for other beat em ups like Fatal Fury or the Simpsons. The replayability of Tower of Doom and its difficulty had us dumping money into the cabinets and for those who got to see the ending at the 7th level we were amped after seeing the cliffhanger ending which hinted at a sequel.

Shadow_over_Mystara_sales_flyer

Shadows over Mystarra would be the second Dungeons & Dragons game released for arcades in 1996, adding more to the game and expanding the choices for playable classes. The thief and magic user class were added to the joy of many D&D players. Each class had alternate costumes so two players could play as the same class if they wanted to and believe me have two casters is nothing to sneeze at in this game. Capcom also jammed in more combos for the fighting classes and threw in more spells along with diverging paths for specific classes and alternate endings added more replayability to that game that already did it right the first time around.  By far the 4 possible endings for each class is something I think no game has done since.

 

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Now that we have laid on the praise real thick with our nostalgia goggles on it is time to get into what we don’t like about the games. Seeing as the games were originally designed for the arcades it was common practise for developers for have money grab levels and cheap bosses who were so hard that you would HAVE to have a fair amount of coinage to survive. Pay to pay at it’s finest but this is truly visible when fighting the Red Dragon in the first game where you do not even see his health bar after a barrage of hits connect and his insta-death fire breath killed many one second into the encounter. Also, there were glitches in the sequeal where you could cheat through entering certain words when given the choice of naming your character along with a few other glitches which could give you powerful items helped some cheaters get their names on the highscore charts. Other than that my gripe is more with Capcom than it is with TSR which was going through hell in the 90s.

Imagine if Capcom did not sacrifice the 4 player option for the Saturn, better yet try picture them releasing these game on the Sony Playstation as a bundle in 1996? I could not find any explaination as to why Capcom would not pursue it further, one of the reasons could be that D&D did not catch on as fast or grow as much as it did in the west. Alex Jiminez who wrote the scenario for Capcom said the Japanese staff were not understanding the concept or much of the mechanics behind D&D. The heads in Tokyo even were debating whether the game should have a Western or Eastern theme prior to Alex’s arrival.

Let us recall that RPG fans in the early 90s had slim pickings for games especially when discussing consoles with Diablo 1 coming to the Playstation in 1998 with only a two player option, beating Capcom by a year for their collection which was exclusive to Japan. Baldurs Gate would not hit PCs until 1998 meaning Capcom had more than enough time to capitalize on a severely under served genre with most of the titles remaining exclusive to PC platforms. Waiting as long as 2013 to repackage and release the collection globally on most platforms seemed like a long wait and I’m pretty sure if they had ported it to the Playstation, PS2, Dreamcast, or Xbox they could have gotten some more sales and perhaps rekindled the interest of Wizards of the Coast in a time where consoles were not even a thought for developers. Proof of this is that we had to wait until 2001 before console gamers would recieve the critically acclaimed ‘Baldurs Gate: Dark Alliance’.

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REMINDER: The titles listed were gamechangers and all came towards the end of the 90s, not to say there were not games on the PC and Playstation that did not have Dungeons & Dragons licensing but these products fell short of the mark when it came to graphics, replayability and never made the arcade. With the exception of Eye of the Beholder which was well reviewed no D&D computer game would make a splash prior to Baldurs Gate in 1998.

Hoping you enjoyed reading this post and we cannot recommend this enough if you have 15$ lying around give the game a shot as it is packed with nostalgia while also providing hour of fun in a familiar setting.  I give this collection 9 out of 10. 

If you liked what you saw on the site please squeeze us a Like on our Facebook and follow us on WordPress if you have an account. Any and all support is much appreciated but what could really help us is if you put Nerd Dimension as you homepage if you want to, Google has enough traffic as is lol.

Diablo IV is coming ! So lets talk about it!

Nerd Dimension tell you what they think about the announcement from Blizzard and what we hope the game could look like. So far it does not bode well for the veteran publisher which has seen an avalanche of backlash on social media. Nerd Dimension cut out the bs and get to the guts so read on to see if you should be excited about Diablo IV!

Front_End_Campfire_small
Diablo IV as of now has 3 playable classes in the demo

 

written & edited by Mykal Grimm

Many YouTube feeds have been flooded with initial impressions and reactions to Blizzard’s announcement at Blizzcon that a forth installment in the classic series of Diablo was on the way…kinda. The publisher has released an well produced trailer including gameplay but also allowed attendees to play a demo while streamers were given 5 minutes to stream it for their fans. With the recent dark cloud hanging over Blizzard involving censoring and banning players who were vocal on the current political situation in Hong Kong to recent failures that the fans are not letting go of teasing gamers with Diablo IV could buy them some much needed time to try save face.

The last Diablo game announced by Blizzard was Diablo Immortal which disappointed fans wolrd wide with the news that it would be a mobile device only game. What added to the sting was how the company leading up to the announcement were very vague and appeared to ignore feedback from the community after the announcement. Fans of Diablo have been asking Blizzard for a HD remaster of the older the titles as now Baldurs Gate has been ported to all current gen consoles offering fans more product at affordable prices. Immortal would be pushed back and no hype was really generated and with the talks of it having a 2019 release I don’t see it bringing in the big bucks for Blizzard any time soon. The success of the Warcraft movie in China saw the franchise double up for a sequel further promoting their world to more potential players in the largest growing market while the the return of World of Warcraft Classic saw them capitalize on the nostalgia of the previous generations of PC gamers. Though many feel that WOW charging 14$ a month for a subscription and then charging you 60$ for expansions is a bit steep but who are we dictate their pricing policy.

The announcement of Diablo IV comes as a breath of fresh air to fans of the franchise, especially those who grew up playing the PC games and were waiting to see what a forth title would like after our disappointment with Reaper of Souls. What worries many gamers who are fond of the older games and all too familiar with Blizzard track record of missing deadlines the company did not even hint at a possible release date. This is not a good sign because Baldurs Gate 3 was the talk of cyberspace the past two months and are confident that they will have the game out in 2020 and that it will be on most platforms.

Other things we did not like reading was that Blizzard intend on making it playable online only! This writer believes that games that have campaign and solo content must be playable offline however developers have now made the online component critical to a lot of the game mechanics and not just skins and customizations. I may like to also remind folks that Blizzard’s online store was marred with scandal when real money was changing hands and pay to win became prevalent, not to mention the dealys for the first 48 hours and enduring download times should have taught them something.

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Diablo IV will offer multiplayer but have not been fortcoming with information

Something of the promising things on first glance is that this game looks closer to the original design and art style of the earlier games. The cinematis and gameplay still looks like Diablo but it is darker and not as smooth as in Reaper of Souls. The 3 playable glasses we saw in the gameplay footage online showed a Druid closer to that of Celtic legends while the Sorceress and _Barbarian did not look too different from the older games. The graphics and visuals for certain spells including the overall mapping of the controls seemed streamlined and intutitive. The introduction of mounts does raise eyebrows, though developing the game to be more open world than previous editions the needs to accelrated travel makes sense but steads and mounts are also common place in mmorpgs, something that Diablo is not…or so they the want us to think.

For our readers who might be new to the Diablo series in general I can recommed everything from the litrature to the games as they can provide hours of entertainment and ooze nostalgia of a simpler time in gaming. The games are action rpgs for the most part where you take on the role of a character with a specfici set of skills belonging to a certain class with accompanying talents. Many games would be inspired by Diablo in decades to come and is pretty simple to understand with stories that do lead you wanting to see the conclusions…for the first two games at least. Diablo III is still availible on all consoles with couch & online coop modes which allows for you to quest with friends while for those more techy savy you can throw a lan party and quest with your buddies through Diablo II: Lord of Destruction which is considered the definitive Diablo game. If you are more of the tabletop enthusiast Wizards of the Coast would release a setting for their D20 system which allows your party to play out adventures from the games that are easy to incorporate in Dungeons & Dragons 3rd Edition and Pathfinder.

Diablo IV Combat Nerd DImension Review
The effects and visuals for spells and abilities are a huge step up from previous games

Now to to get in the cause for concern for some of the older players. Diablo 3 was a drastic change from the previous games which did not prove make it a better game. The game is one of the bestselling games of all time but also a debacle. Blizzard has long parted ways with the creators of Diablo David Brevik and Eric and Max Schaefer and with the return of Allen Adham to Blizzard they need Diablo IV to be big. With the hits Ubisoft and EA have taken in previous years all executives are sweating bullets with so much money invested into these projects failure can be devasting. The peculiar timing has helped Blizzcon by giving attendees and those of us at home something big and unexpected like a Diablo IV announcement.

Our gripes with Diablo III ranged from reducing the customization options for play, the lack of modding ability for PC versions to the killing off of characters and a short campaign and dull end game. If Blizzard can address these issuess perhaps we can be given a game with a long life and support from the publisher but despite not mentionning Diablo IV as an MMO we cannot help but feel that is could be the direction we are going similar to Neverwinter and Paths of Exile instead of going the Original Sin Divinity route which had proven to be better titles.

I can recall hours in lan parties playing Diablo 2 and have fond memories of carefully distributing my points in the skills tree to debating with my comrades which class to select to make for a better party.  The feeling of triumph after slaying demons with my friends through what felt like endless caves and finally saving the folks of Kingdom of Khanduras. Yes, good times indeed and hope that my scribblings may encourage you to give Diablo a chance and perhaps enjoy the game and setting that changed gaming forever. We hope to write more content on the series and the story behind Diablo so feel free to request and article to expedite our efforts.

 

You can purchase Diablo on GOG including the Hellfire expansion HERE

You can buy Diablo II base game from Blizzard HERE

 

Be sure to like and subscribe to our Facebook Page to be in the loop with all things nerd. Newsletter and Podcast coming soon and thank you again for your support.

 

*Nerd Dimension claims no ownership or copyrights of Diablo or any Blizzard properties

Medieval, Tales from Europe (new realistic setting for D&D 5E hitting Kickstarter) – Interview with Andrea Oneglia

Mykal talks with one of the Italian Trio behind Medieval – Tales from Europe to bring you guys more info on the this new, exciting setting aimed for 5th Edition players looking for more realism in their tabletop rpgs.

It has been a while since we last delved into the depths of tabletop RPGs and are fortunate enough this time to bring you some firsthand testimony and insight from a designer himself, Andrea Oneglia of Tales for Gamers Publishing (wicked nice name btw) whose efforts are focused on the release of his debut RPG setting Medieval – Tales from Europe which will be hitting Kickstarter soon.

Medieval – Tales from Europe is a historical setting that wants to bring the role players into a bizarre, unpredictable and absurdly real world, soaked in esotericism and full of that fairytale atmosphere that only the Middle Ages can offer, now finally proposed in a classic manner for the world’s most famous role playing game. A low magic system with only one race, the human, and 11 new playable classes will teleport you into the tales of an ancient and tumultuous Europe. Live unbelievable chivalrous adventures mixed with fantastic and supernatural events, marked by typical epic tones and by the satirical and grotesque ones of the folk stories. Keep up to date with the latest released news, explore our contents and support the Kickstarter campaign to receive everything you need to immerse yourself in this amazing story.

What drew me in from the first glance was the artwork I saw in a post he had on a Facebook group we both are members of. I clicked and discovered that Andrea and his team were working on a 5TH Edition Setting set in the Medieval Era which is intended to give players a more immersive and realistic feel. This to me sounded awesome and the further I dug the more I was intrigued and wanted to hear more about it. With information on the project scarce I decided to reach out to the man himself and see what unfolds. Andrea replied promptly and turned out to be a pretty solid guy and upon our request to do a write up agreed with open arms and sent us what he had at the time.

Q1.) So Andrea, tell us a little about yourself? (-short points where are you from, where you grew up etc.)

I was born and raised in Italy, in a small city 20 miles away from Naples, not far from Pompei, surrounded by the sea and by cultural and architectural remains of romans and Etruscan populations. I grew up in a territory rich in history and soaked in mysticism, legends and ancient tales. I grew up with the stories my grandparents used to tell me about the saints and other spiritual beliefs, for example the Jianara (a famous witch who would sneak in your room while you sleep to choke you to death! I’ve never known why!). Most of the time, those stories turned into world war II stories, unfortunately.

Q2) When did you first embark on you journey into the roleplaying games?

The role-playing games came much later in my life, even if the gaming world in general has always been a constant since my childhood (mostly videogames). Another separate hobby of mine was reading and writing, principally science fiction and fantasy. I enjoyed writing stories about interstellar travels, multidimensional existences and a lot about medieval fantasy settings too, things like King Arthur stories or even more unrealistic as Lord of the Rings. At the age of 15 I found out there was a way to combine the two things (games and narrative) and the result was incredible! That’s how I got into the role-playing games world, starting with Dungeons and Dragons (the most popular) and having the chance to explore the others just later. D&D allowed me to bring other people, mostly my friends, into the stories I used to write, to make them see what I see and to make them live the worlds I have created, which was something I have always researched. We from Tales for Gamers Publishing believe in the artistic power these things innately possess and we want to give our contribution in helping others “live” more engaging tales, as the historical ones can be.

Q3) You are a European working in Canada, so have you come across any cultural and business differences since you have moved?

My moving to Canada was a shock I could say. We are talking about a country that turned immigration into one of its main strengths, since it’s a relatively young country that needs young professionals to grow. We can’t really say the same for Italy, where for cultural, geographical and organizational aspects immigration hasn’t been considered as a resource yet. This makes Canada a giant boiling pot where everything ferments, grows and can contribution to a diverse ecosystem. There is space and opportunities for every decent person who feels like making a difference in this world in all the fields, from science to art (there is a huge community of role-players here!). At the same time, being a young country, founded entirely on colonialist politics (that dissolved almost completely what was here before), it doesn’t share the long reaching pasts of a lot of the nation’s back in Europe. Speaking about Quebec at least (where I live), the locals still struggle to find an identity and a link with their past which translates in still keeping today a veiled, and for some traits silly, discord between the French and English cultures on the territory (the two countries who fought for the occupation in the 18th century).

Q4) So what about your setting, Medieval Tales – from Europe (Medieval, Tales from Europe) made you feel confident enough to make the bold step of crowdfunding at this early stage?

The most immediate answer I can offer is: “because I love it!” Because I am the first excited fan of this setting and I like to play it with my friends! Even at the time when the mechanics were unclear, we were already trying (spontaneously, in our game sessions) to build up a more realistic system, more theatrical and less role-standard, more human and less divine, more survival and less chill. I can honestly admit that there is nothing like this around (yet)! Yes, there are medieval settings, some of them quite good, but for one reason or another they didn’t see much success and the gamers community seems still to crave more of it in their gaming. Medieval, Tales from Europe, is also introducing new (or not explored enough!) concepts in the RPGs world (the supernatural and the fear of the unknown, the weapons as ultimate deadly instruments, the concept of ultra-specialized classes), which raised huge interest in the players I shared it with. All these things made me decide to take action, step forward and propose something different to our community of players.

Professions + logo Kickstarter

Q5) 11 professions this early seems interesting and from the material you have shown they all vary and will probably feel different. I noticed that you did not shy away from including some interesting yet darker parts of European History including the Surgeon which reminds us of images of the plague. Please tell us about some of the classes and how they differ to a newcomer.

A realistic and historical setting as ours intends to be, needs to start from scratch with the classes. Most of the examples of what we have seen so far appeared inadequate for our purposes. Having the classes boil down to be no more than a fighters, better fighter,  other mediocre fighters, but fighters at the end of the day (which, just to be clear, works just fine in some of the amazing and valid RPGs systems we see around, based mainly on combat). With all the respect for those great titles, those classes sounded just wrong for the setting we have started developing. I like to look upon our 11 new classes as actors on a stage, ultra-specialized, very different from one another and, most importantly, irreplaceable! If your party are short an Explorer, the other players need to work harder to compensate some of the benefits the Explorer can provide during travels and still have some needs unmet. Same for the Artist, the Rogue and all the other classes (which are called Professions in this setting). The Surgeon is for sure one of the most interesting actors on our medieval stage! He can provide useful support in sewing the wounds and in restoring your hit points and there will be no one else able to do it in such an efficient way. The Surgeon can be a sneaky danger too if under menace, since he or she knows the body’s weak points, how to damage them or use them during torture. In summary, there is nothing in common in the different Professions except they are all humans with important skills but vulnerable and never perfect; people that try to do one unique important thing: survive!

Medieval - Tales from Europe
Nerd Dimension do not claim any ownership or copyrights over Medieval – Tales from Europe.

Q6) Low fantasy as a choice brings a lot with it. You have chosen to limit the playable races to only Human which I think is a pro but I am certain you must have got a few odd looks from some of the folks around the table or at the comic store. Please shed light on the decision and how you feel it will positively impact the game?

A low-fantasy system with only humans came as a crucial choice, even if drastic for some aspects, for the sake of a more realistic setting. This for us is going to add other interesting elements, not remove them as we are trying to be as true to the setting. I will try elaborate with an example. Have you ever thought about how devastating some abilities such as Darkvision (an ability in classic rpgs that allow a character to see in the dark) can be on the narration, on the suspense and the engagement you can have at the table when a character gets into a fully dark catacomb? Why there is even a torch in the starting pack of an adventurer if 70% of the classes can see in the dark and you are never going to light it up in a dungeon (and we could say the same about so many other cool but useless objects)? However, the RPG world is wide and vast, and there are players who love settings where “human issues” can be simply overcome with a snap of fingers. Medieval, Tales from Europe wants to provide an alternative support for those players who seek a more competitive game setting, where you’d better think twice in choosing your equipment if you don’t want to end up alone, frozen to the bones, in a dark cave full of venomous snakes or a bear (deadly situations even for a 20th level character in some cases). Also, these features allow for us to finally branch out for some new kind of stories we can play out around the table, such as the story of Saladin who led the Islamic forces during the Crusades, or the story of Joan of Arc and the Hundred Year war, along with many other historical events that comprise the rich history of Europe. Or those tales between myth and legends such as Robin Hood, King Arthur and Lancelot’s story, and heritage of our European culture, stories that simply need the characters to be human and far fro perfect. Is there another way you can play these scenarios with Dungeons and Dragons without the new features (and the drastic choices) Medieval, Tales from Europe is going to introduce?

Q6.2) In the brief you emailed us you highlighted that Low Magic is different to No Magic and we wanted to give you an opportunity to expand on that for our readers.

When we think about the Middle Ages it suddenly brings up dark images to ones mind such as the esotericism of forbidden doctrines and the use of occult sciences which in the Dark Ages claimed to induce supernatural effects on people and situations (a classic example is the voodoo dolls or the habit of keeping crystals or herbs in the houses to keep the malevolent spirits away). In such a scenario it’s hard to imagine a setting that doesn’t take magic into consideration in some form. At the same time, magic as we know it, described well by the fantasy settings of the past, doesn’t exist in our world and it can’t exist in a realistic setting. That’s why we had to work firstly on the concept of magic we wanted to introduce and then on the game mechanics and how to put it in player’s hands. In Medieval, Tales from Europe magic doesn’t exist, but people might interpret some weird signs and circumstance as such because they believe in it and, most importantly, they fear it! The Arcanist, one of the most magic-like Profession we have introduced, is nothing else than a trickster who is himself convinced of the reality of the effects he creates to be true. Such an insane personality can have a great impact on other people’s minds because he uses fear as a weapon, and he will find out it can be as sharp as a blade. In our setting everything is possible, all the supernatural effects can be realized but only if the character is good enough in influencing people’s mind. How does this translate in game mechanics? There will be no spell list in this new setting. We have introduced (for the first time in a tabletop RPG setting, to our knowledge!) a system where whatever supernatural effect can be created by the player itself, not combining parts or pre-generated words but simply inventing it. The Storyteller will give a score to those effects and the player will need to roll a Charisma check (Influence) to create the right grade of suggestion and make the effect appear real to those who are watching (even if it is not). Some of these tricks can have an effect as real as an arrow in the chest!

Q7) You are obviously intending to run Medieval Tales – From Europe over the Dungeons & Dragons 5 Edition rules set which is the most popular on the market. This is a two part question so sorry Andrea,

  1. What did you like about 5E and how do you feel you added to it with your setting
  2. As an independent publisher and creator can you tell us how it is working with an existing rules set and whether it comes with complications?

The 5th Edition is far from being a perfect setting but nothing ever is to be honest. For example, it gives the impression of going easy on players as a RPG system. I feel players are not challenged enough and a lot revolves around the combat with fewer opportunities for diversifying and customizing the characters that it’s previous editions. Even the level progression, according to the Dungeon Master’s Guide should be triggered by an insane amount of combat encounters, primarily. This being said, the system seems to have a pretty strong up-side, which deserved to be use for our setting: it is incredibly widespread (everyone plays it!) and it’s the easiest to learn, an aspect that attracts a lot of new players. As I said previously, we had to adjust some aspects of the 5th edition engine to make it suitable for a realistic setting but we kept intact most of the main backbone. We tried to make the smallest changes possible, preferring to adjust some mechanics instead of outright removing them and forcing players to learn new ones from scratch. The results are far better than what we anticipated with a more challenging and a more interpretative fashion of play compared to the basic 5th edition. Thanks to the Open-Gaming License (OGL) released by Wizard of the Coast in early 2019, the 5th edition rules are free from copyright and everyone can use them, under specific conditions and with the limitation of not including any of the world-settings the company has created for an eventual business idea. Thanks, Wizards!

Q8) Being bilingual yourself I have to ask whether or not you intend to publish in several languages other than English, perhaps Italian, Espanyol or German?

Out first choice was the Italian language, an automatic choice given the nature of content and the south-European flavor of the setting. Plus, Italy is proving lately to be infected with the bug and in Europe is leading in new role players and in new related contents including boardgame publishers. With the recent growth in popularity of boardgames, roleplaying games and the success of movies like the Avengers and shows like Stranger Things the ranks of tabletop rpg fans continue to grow daily in my home country. We decided to also publish in English in order to reach everyone else in the world and give them the chance to get immersed in the fascinating tales of our continent. If Medieval, Tales from Europe is going to be translated in other languages, it depends on many aspects, mostly the Kickstarter campaign outcome.

Q9) The artwork we have managed to see so far are distinct and reminiscent of Fantasy Novel covers in a more modern style. What is your experience and advice when it comes to reaching out to talent whether it be artists or designers, has the internet allowed for more affordable and efficient collaboration?

The power of social media and this recent RPG explosion we are having in Italy allowed me to get in touch with some great artists in the field. I had the fortune to meet the artists and got them involved in this project quite easily. I guess they saw a chance to get some more exposure (they are all still carving out their own path) and at the same time they gave me the honor of using their amazing illustrations for this project, which appear to fit our vision and one for the project! It’s mind boggling how many artists are out there online working on these types creative jobs, whether it is artwork or game-design. I see a great future for such collaborations and partnerships as more and more talent is taking their abilities online.

Q10) The last question is about the Kickstarter and what do backers get? What are you goals, what is the figure and more importantly, what do supporters get who pledge to your campaign?

We expect to see a great Kickstarter campaign in December 2019 which hopefully will turn Medieval, Tales from Europe from ideas into reality. The funds we are asking for will be entirely used in completing the project, to cover the production and shipment costs of the material we offer and the expenses in time and instruments the artists involved in this project need in order to give us their best. In defining the rewards we are going to offer in exchange of the pledges, we based the decision on a simple concept: we want the player to get what they need to start their experience with Medieval, Tales from Europe as soon as they get it in their hands, and nothing more. We believe that less is more, and we want to concentrate the material in useful products, avoiding unused gadgets. Among the rewards there will be the Player’s Guide in PDF and Hardcover format and some others contents including a one-shot adventure, a little guide for the encounters with some crucial enemies stats, famous medieval characters’ sheet, artworks and more. There will be some good deals for the early birds and for those present in our newsletter list. Most important, we will take care of the shipping cost of all the products and once the campaign is over, hopefully with a positive outcome, our backers will not be charged anything more. They will be invited in a private Facebook group where they can follow the different stages of the project, stay in touch with us the producers and just wait for the product to arrive.

Arcanist

Andrea’s story is one shared by many independent creators but too many allow their ideas to remain nothing more than pencil scratches on the back of a character sheet. Andrea has been thinking and working on a setting with a foundation in realism that itself is historically rich and inspiring. Himself investing into getting the artists to help bring these same ideas to life. The dancing blades that harken to the ottoman and Turkish Empires look fierce while the Warrior and Explorer remind you of the Knights of Britain and the voyages of the Spanish Fleet. This Era in European history is rife with conflict, myths, religion and intrigue so splashing in a dab of fantasy adds just enough to make it feel new and worth exploring. This game is different in the best way possible, it is supposed to be different.

We must commend Tales for Gamers Publishing for getting behind their ideas and having a vision they are pursuing. They are doing what designers could never have dreamed of twenty years ago, today they can call their friends and fans to action. Gamers have elevated crowdfunding to where it is legitimately funding bestselling products tabletop to the Xbox store and Tales for Gamers are not taking much risk. By taking their time to build more awareness for their game they can launch a Kickstarter to an interested public and audience. More important it is great to see an Italian creator and publisher aspiring to make his mark internationally with his work. This is a European project that we are certain will find it’s place at tables across the continent. Our job at Nerd Dimension is help however we can because growing up I always dreamed of being part of the industry, work within in and belong to the culture and now I do. Today we can step up and get behind creators like never before and Medieval Tales – From Europe is something that I feel has been missing from the tabletop and with our help Tales for Gamers can remedy it. We would like to salute the valiant efforts of Giovanni Laudante IT specialist of the group, Davide Santonicola the super fan who always is ready to help and last but not least collaborator Maurizio Infante.

We are going to pledge to the campaign and we invite our readers to check out their page and see what it’s about for themselves. Andrea and his team are communicative and are always looking for more people to hear about Medieval Tales so please give them a like and show them some support. I myself have been guilty of scrolling past Kickstarter posts because most of them fail for a reason but I am glad that I checked this one out. Next time you guys are going through your troll page, click on one of those posts if it seems cool because you could be helping that dream come true for somebody.

I was thrilled to cover this and expect us to have Andrea back on, this time he will appear on our podcast which will go back up when our co-host Bakreni returns so make sure you are subscribed and are following our pages to hear how everything went. Until next time reader, role deep and stop trying to pick pocket in the tavern already!

 

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What are TRPGs and why do we quest? Why we think you might like them too.

By Mykal K Grimm

If you are new to role playing games then I hope this piece will shed some light on the hobby and help further your interest in this truly enjoyable form of social entertainment. Table Top Role Playing Games are not like other games the majority of your friends might play when they hangout in their free time as it has a heavy reliance on the players imagination and it is narrative driven, a story is unfolding throughout play and you can change the course of events by decisions taken by the player. The dice have more than 6 sides or less depending on which ones are needed to be rolled and the game is not competitive in the sense that there is a winner and looser at the end. The game also lasts longer than most traditional board or card games and is played in a way that most people have not encountered as it is vastly different to Uno, Chess or Poker. We will go deeper into the mechanics at another time but it is a very different game that offers a truly unique and fun experience for the players and game masters. I will do my best to help explain what it is we do around the table and why I enjoy it and think more people would if they tried to play TRPGs.

Role Playing Games are games in which the player takes on the role of a character of a certain class and race in often a fictional setting where they are given a quest to resolve. When generating this character you roll or calculate Points for your ability score and distribute them among your skills and attributes which is done during the character creation phase. Different classes possess different talents and abilities as do races which can include dim light vision if you were an Elf or resistance to poison if you were an Orc shaman. Classes can range from the combat focused Fighter to the versatile Wizard and Elves, Dwarves and Halflings are but some of the playable races and classes in some of these systems.  These tabletop games are not merely restricted to medieval fantasy settings but those are the ones I prefer and will use them for most of my examples.

Games can be set in any era, in any environment and classes and powers vary from system to system as do the rules of play.  Mutants and Masterminds is an RPG system which sees you take on the role of a super hero or villain and battle it out Marvel style while Call of Cthulhu has the players play as Investigators trying to solve a murder before dying or loosing their collective s##t in the process. Some RPGs require a  gaming surface and miniature figurines for staging combat, others may use index cards to tell a story while some do not require anything but a piece of paper and is entirely spoken. RPGs come in many forms , levels of complexity and have actually been around since the 70’s with  Dungeons & Dragons being the first leading name in the industry and remains so until today.

Gary Gyax and Dave Arneson were enthusiastic war gamers who wanted to create a game in which you controlled a single soldier opposed to an entire unit or platoon. They would eventually brainstorm a very basic Dungeons & Dragons system and later Gary Gygax would publish it through his company TSR. D&D would change the face of gaming forever as many video game developers would use the character stats from their game to develop and design their own games with them serving as a template. In time their brand would have bestsellers popularizing the genre of fantasy further and familiarizing the reader with their RPG settings and lore. They would push the envelope for the entire industry while creating it at the same time. Fantasy was the first setting but later they would release futuristic science fiction settings in Gamma World  and other books including D20 Modern where players could use SMGs and helicopters. The whole idea was to give players a chance to enter their imaginations and with their guidelines play out epic adventures all from the safety of their own home and in the company of their friends.

Me and my guild first really got into RPGing because we all enjoyed similar things and for most of us, none of us had a chance to really play an TRPG. We would come together and after long discussions about D&D we decided to give it a shot and start playing. At first most of us were brand new to Dungeons & Dragons TRPG games but we enjoyed reading the books, seeing the great artwork. We did start with a more complex system (3.5 Edition which later evolved into Pathfinder) that did have many stats, numbers, reading and may not have been the best choice for newbies in hindsight. The learning curve is not as steep as it may appear at first glance but it does require reading the material in order to have a basic grasp of how it the game is played. Coming to the gaming table without reading anything is a mistake. With the resources available online today a new player can get a decent idea of what the game is about and a basic comprehension of stages of play and how a turn goes. We ourselves plan to put out tutorial videos down the line.

In the beginning your eyes will be overwhelmed with many of the Character sheets but after a few gaming sessions you will know what to look for and where what goes. With every session we ran we would feel more comfortable with the rules, questions would get addressed and answered and the deeper we delved into this imaginary world. My first character was Marcus Marvella, a Half Elf Ranger with a cliche backstory and I remember how much I like attributes of the class. My brother player a more advanced class of a War Mage, Boris of the Bash Bros was a Human Barbarian and Medeni played a dwarven cleric. All of us enjoyed figuring out which skills and weapons to use depending on the situation they found themselves. We learned very fast that there was a big coop component to playing the game, communication and teamwork is the only way to survive an attack or escape a potentially fatal argument. We also grew closer as friends and before long we are snapping D&D puns and jokes and it was something we all would continue to look forward to until this day.

When you quest you are playing a character other than yourself in a fictional setting where you are not bound by our current reality and norms. Want to slay dragons and rescue the princess, you can do it from the safety of your home with your friends as your allies. Ever wanted to be part of a story as it was written? Solve mysteries in a Victorian city or escape the Death Star with you friends, yes and yes guys. Questing is always going to have more options than any video game because there is no limit to your imagination. Many have described the RPG experience as the players are characters in movie and are playing it out as the Game Master is the director responsible for crafting the obstacles and supporting cast. I cannot describe the laughs had at the table and the tension when the Health Points were low and nobody had any potions and our Cleric was out of heals! The immersion is a big part of why I enjoy playing and running the game. No one session is the same and if done right a session involves just as much role playing as combat encounters.

The community of tabletop RPG players is diverse and the passion for the hobby is very real. There are dozens of groups and pages on social media and websites (cough) including Nerd Dimension who seek to make this hobby more accessible and make it easier for those wishing to pursue it as a hobby. RPGing can be a truly liberating experience, being able to break away from the problems in the real world and it can also be very social if you schedule games with new players once in a while. I hope that this post can help motivate readers to consider playing or maybe return to it now as there are so much more options now. Reach out to members in local gaming groups or go to game shops and see if there other players who need an extra player. The experience can be rewarding and it is better than solitary gaming in my opinion. At the end of every session I feel I did not waste my time, I was socializing while playing a game by telling a story. I do not have the same feeling after playing 4 hours of a PC game or console and my eyes get tired.

If you love playing RPG PC or video games, this is something you should at least look into to get some insight into how your pass time originated. I have noticed it seems harsher for video game players crossing over but there are systems that let you do awesome stuff in the early levels so don’t worry about being bored.

If you love fantasy fiction then I cannot recommend this enough for it is the closest I have gotten to playing a character from one of my favorite novels and immersing myself into a setting. It could also serve as a helpful tool to flush out your own settings and characters if you group are open to trying it out.

If you are looking for something different that could sharpen your writing, voice acting or social skills in general than this is something that could be beneficial to you.

 

Game Systems I can recommend for new players:

GURPS : A very basic system which is good for a first session as there is less attributes and a basic rule system. A great way to introduce basic character creation and principles of play found in the more complex systems especially for younger players. There are many itirations of the system with loads of settings to choose from and is the cheapest to get price ways compared to the bigger systems.

Advanced Dungeons & Dragons (2nd Edition): A step up in complexity but still easier than the later editions and other RPGs on the market. Despite having more rules than GURPS the AD&D system allows for more options in play and character creation. Good starting point if you have a group thinking of playing D&D the amount of materials and campaigns online to me make this the most fun to run and play for new players from teens to adults. Our very own DM Pat still runs the system until this day and you can catch him on Roll20 running sessions.

Shadowrun: A science-fiction / cyber punkish game which is more focused on skills opposed to class for solving problems and resolving combat. It is a more modern setting and is rich in theme and flavor and serves an interesting alternative to players not looking for Swords and Sorcery. The weapons and races are just as diverse as you can find in most fantasy and the twist of entery this ‘Matrix’ like cyber dimension makes for a unique experience. You have hackers to tanks and working together while one of your runners is disabling a security program is pretty cool. If you want to get a feel for the general idea of the game you can get the Shadowrun PC games for fair prices on GOG and I recommend them.

Call of Cthulhu: A horror science-fiction RPG based on the HP Lovecraft’s Mythos in which you investigate mysterious events and have to maintain your sanity and safety as the Ancient Ones hurl every demonic thing it can at your party. The basic role playing rules make it easy to get into for new players and the horror setting will have players on the edge of their seats until the very end where everyone dies…because it is very very very hard to survive in COC. A must play for all horror and Lovecraft fans thinking of entering the RPG realm.

Star Wars Roleplaying Game: What more can I say. This game was designed to be easy for those taking their first steps into roleplaying games and the theme is there in buckets. It is new and you can buy beginner boxes for cheap and I think this goes over well with younger players the most. Unleash the force with your buddies while recapturing some of the magic of the movies.

Vampire: The Masquerade :  A system unlike the others which is more story orientated opposed to combat. The system has a strong community and following is designed with those looking for more storytelling in the game and the setting and theme of vampires is very well done. Take on the curse of the night in the form of unique vampires as you and your party have to decide how to operate in this hidden world. There is a great PC game developed by Troika of this system which I recommend.

There is something for everybody in the world of tabletop RPGs and maybe this post helps somebody choose to give them a shot. Until your eyes gaze upon my humble writing once more please let us know what you think of our content in the comments section below. If you like what you read so far we welcome you to subscribe and follow our social media pages and podcast.

*Nerd Dimension also have started recruiting members and players for our Sci Fi Fantasy Club in Kungsbacka, all you need is the app Meet Up to find and get in touch with the group.

Pathfinder: Game Mastery Guide (Pocket Edition) Review (Tabletop RPG)

Mike reviews his pocket edition of Paizo’s Game Mastery Guide. Is it worth the money and space saved?

Paizo is a company that means a lot to tabletop RPG if for nothing else for making the best use of the OGL and using their pioneering spirit to change the landscape of gaming. Paizo took a system that I myself loved which was 3.5 Dungeons & Dragons and later expanded and streamlined certain things allowing for truly an individual experience for role players. The system built upon yet kept key elements and mechanics such as alignment, attack opportunities and the feat system which made for a plethora of customization and a feeling that you were in control of your character with no character in the party really feeling or playing alike. I hope to provide more in depth articles and posts about Paizo and their contribution to the industry so plesae subscribe to Nerd Dimension.

Sure, D&D 5th Edition is a system onto itself and I give it credit and maximal respect for making a smoother system for new players and recapturing another generation with the bug that is tabletop role playing. However, as someone who enjoys Pathfinder and is not a fan of math I still managed to get used to it and with a little effort was GMing long sessions and my party never complained after the first few combats. Not to say I myself have not enjoyed 5th Edition but I find myself missing the tons of source books available for 3.5 with the simple conversion and the vast library that Pathfinder itself provided. I will recommend that anyone just getting into role playing games should start with 5th edition as it is a less complex system with more focus on the role play aspects of the game with a simpler rules set while being far more streamlined for newcomers. 

When returning and launching my group back in Stockholm I could not afford to buy too many books as I had digital copies of the core book and a few supplements so I opted to buy Bestiary 1, Advanced Classes and the Game Masters Guide with a GM Screen. My thinking behind the decision was also the space and weight both on the table and to carry around as I was actively looking for new players and venues to play. Having a portable set up for Pathfinder didn’t require much more than my Ipad 2 and the books which all fit in a backpack along with the stationary, battlemat, dice and miniatures. Subscribe to read our GM load out in the GMs Chamber that me and Bakar will put together if you are curious about stepping your game mastery up notch or two.

The book is great and the print was not as small as I feared it would be but I do not require the aid of spectacles just yet but some of my players who do wear glasses were a little irritated by this. The book has everything that the bigger book has just in a smaller print so I cannot complain about the quality or of any errors in printing that I came across using the book. I am a fan of the artwork and style used by Paizo through out Pathfinder and Pathfinder Society and it looked good in Kingmaker. I can say that I feel that Pathfinder did a good job concerning how the spread their information in their smaller books and it scaled well. I can say that the smaller size allowed me to take two books with me to work and spend lunch putting post its on pages I knew I would be referring to that were not on the screen. It was did make my backpack a little lighter so I can say I am a satisfied customer and that Paizo delivered.

Now with Pathfinder Second Edition officially out I am eagerly awaiting to hear the experience of players and GMs alike concerning the new mechanics and how it compares of the original Pathfinder.

 

Game Mastery Guide
My copy of Pathfinder’s Game Mastery Guide

Hero Con Göteborg 2019

Mike & Erik attend the Göteborg Comic-Con, highlights and their thoughts on the event

After the changes here at Nerd Dimension, one being my music career taking off just as creative differences and moving left us with no studio or staff to continue. Upon my return to the snowy north I found myself with some time on my hands between meetings I learned about the con in Göteborg that was coming up. I reached out to my new friend Erik and we decided that we would attend the con. It was my first con in Sweden and I was looking forward to checking out some of the stalls and hopefully re up on some books and gifts for loved ones back home.

What seemed interesting was that Gaten Matarazzo (Dustin from Stranger Things)  and Alexander Ludvig (Bjorn from Vikings) would be there and I almost took my Stranger Things poster, but I didn’t in the end which I was glad about after the fact. Seeing such big names did make me wonder if the con manage to get some support from the big companies perhaps merch and giveaways. The comic artists who were there did get published by the big names but they were not any we were familiar with and when I arrived they did not seem too keen on talking as no one was cuing for them. Regardless of the lineup my seconday motive for attending was also checking what the stalls full of preloved goodness had to offer as I had realized there was not much in the form of gaming or tabletop sessions that was organized.

Me and Erik grabbed burgers en route to the con and got sufficiently psyched about attending and the weather was very nice for Sweden in May. After finding the parking lot we walked past a decent amount of cosplayers, so many that I started thinking it would be packed wall to wall with fellow nerds. As we approached the entrance we hear country music and a van plugging a band while Spider-Man and some obscure Anime character are striking poses. Immediately I was thrown off by that and a pony dressed up as Batman brought up a question mark. Yes, you read that right. There was a pony in costume to the side of the convention center which also is next to the horse track. I guess it could be fun for the wee ones to have something else to do but I figured maybe Knights or Cowboys might have gone over better for a stead.

When we entered we did not see such a huge turn out, surprinsingly as I figured the one con of the year might have drawn a few more like minded folks. We purchased our day passes and entered the convention area. First thing I notice are some stalls with sharply dressed people who looked like they worked at an electronics chain but none of them seemed to be pushing any hardware. A few animantion companies, but nothing that drew our attention or stood out as something interesting. We get to the center of the convention hall, noticing that the space was not really used up to its fullest with corners walled off flimsly. It looked pretty vacant other than a long cue of cosplayers waiting for the contest which really was the majority of the attendees we would later find out.

Me and Erik continue deeper into the convention center and find the gold we were searching for. We find a few comic book vendors and obviously I hit big so expect more comic reviews. Nostalgic Comics had a great selection and had fair pricing on certain books so after getting a few I slid over to the next stall and found shelves of anime DVDs and BluRays. I found a few DVDs that looked interesting but the prices were were pretty high even for the regular DVD collections so unfortunately I had to pass on those purchases.

Concerning gaming we managed to find a second game store operation working mostly online and at conventions which had interesting items including memory cards and other smaller console accessories which were fairly priced. I am considering getting a retro console to catpture some game footage and did buy a Gamecube game for 10$ which seemed OK considering you can’t find too many of them out here in Sweden. Erik purchased some Playstation 2 games and a memory card along with some comics.

I was disappointed with the lack of vendors present at the con and there was no big Sony, Microsoft or Nintendo stalls plugging any games and HBO sent a few promotional models and props but other than that I felt the content was lacking and we were done in 4 hours and that was with us taking our time. There were some interesting exihbits for Swedish authors which I felt was nice to see, always promising seeing independent authors get some shine. I found classic Dylan Dog collection prints but they did not have them in English so I passed.

Before leaving we wanted to check out the cues for the actors and saw that the price was north of 50$ so I was really glad I did not bring my poster. Moving forward we decided to make our way back to Kungsbacka all the while discussing some of the shortcomings of the con and the potential it had.

I would have to give them credit for continuing to keep the event going but I feel they should get more content including workshops, displays and even performances. The lack of content just disappointed me, I mean why could they not have at least held a few tournaments in Street Fighter or have Marvel vs Capcom etc. Maybe schedule a screening of something perhaps but it seemed like the con fell short of giving us enough selection in how to spend our money. There was one vendor selling consoles and games and there was no other real gaming presence. The kids seemed to have a good time but there was definitely more that could have been done to keep them entertained. I mean why not have had some tables to play Marvel Legendary and other comic related board games. Just a few ideas should the organizers find this article. Seeing as we only attended the one day I can only give an impression but seeing as we were there for what looked like the big day it is safe to say I did not miss anything ‘big’ so my grading will not be too harsh.

I give the con a grade of 5 out of 10 if for nothing the facilities were clean, parking large enough etc. and there were enough vendors for people looking for deals and hard to find comics could make off like bandits.

We hope that Hero Con tries to integrate more gamers and nerd culture into the next Con, perhaps reaching out to gaming clubs and groups to GM sessions on day or host board games. When I was organizing a Con in Croatia which was the first Con in Dalmatia of its kind we managed to sell board games, have people playing board games and even getting a movie screening. You do not want your con goers to leave unhappy or feel bored. The price was not too expensive but if I was to be honest I did not get much out of it and Im deep into the culture so I can only imagine the disappointment on some of the visitors who may have left without anything memorable including the experience.

 

Hope that you enjoyed this post and look forward to reading some of your comments. Were you present at Hero Con? Which Cons do you recommend in Europe? Let us know and until next time, Quest Strong and enjoy your roles.

 

 

 

 

 

Lamentations of the Flame Princess: a review of the game system

Lamentations of the Flame Princess: a review of the game system

By Bronze oldie

I was asked to review Lamentations of the Flame Princess as a game system. In case you are not familiar with this, Lamentations of the Flame Princess (LotFP) is a game company that pulls no punches and is publishing some of the highest quality and innovative RPG material on the market today. The quality of the art and the way that the books are put together is amazing. It’s very surprising to me that LotFP  is able to  get such high quality artists, when Wizards of the Coast, with backing of the Mighty Hasbro corporation, who have the ability to outbid everyone else, produces such comparatively inferior art for their games. 

LotFP publishes a wide variety of modules and game supplements. Some of them, like Carcosa or A Red and Pleasant Land are game worlds. Some are modules that you can easily plop down into the middle of a regular D&D campaign. But most of the books take place in a game world that resembles 17th Century Earth: the time of the English Civil War, the 30 years war, and Pirates of the Caribbean.

But at one point, the decision was made to make a game system to go with the books. It was originally released as box set with a players handbook, a referee’s guide, a module (Tower of the Star Gazer) and a book on how to play a RPG for people who have never done that. Since then, the players handbook: Rules & Magic has been updated. It’s available for free without the art. But the paid version without the art is much better. On the other hand, this is a game for adults, and the art reflects this. You might not want to give the book to a child if you have not seen it yet.

Looking through the book, it is mostly a clone of TSR version of D&D that is closest to the B/X version of the game. 21st century players are used to each edition of D&D being radically different from the previous version. But the TSR versions were more alike, similar to the way that 3.0, 3.5 and Pathfinder are similar. There were slight variations between TSR versions of D&D. The worse Armor Class was 10 in some versions and 9 in others. But Chainmail was AC:5 is all versions and Plate mail+Shield was AC: 2 in all versions. LotFP is very familiar to players of TSR D&D, with only a few, but significant changes. It has the same seven classes that go back to the original version of D&D. (Cleric, Fighter, Magic User, Thief, Dwarf, Elf and Halfling) Skills are rolled on a d6 instead of a % as TSR does or a d20 as 3+ editions do. The Weapons available have a few things that are spelled out, and all others are grouped according to their size.

But the biggest difference in LotFP is that the classes are more separated. Every Class is the best at something: Fighters are best at roll-to-hit, Specialists (Thieves) are best at using skills, Dwarfs have the most Hit Points. Halflings are best at Saving Throws, missile weapons, and Hiding in the wilderness. And the Magic of Clerics and Magi are completely separated. With only Dispel Magic on both spell lists. Also, the get-out-of-jail spells have been removed from the list. (Raise Dead, Resurrection, limited Wish, Wish) also, the damage dealing spells have been removed (Fireball, Lightning Bolt, Cone of Cold) leaving Magic Missile as the “go to” spell for dealing damage (which has been increased to 1d4 per level) And there are some interesting new spells. The combined effect of these changes are to make Magic dangerous and scary. And a recent book: Vaginas Are Magic, introduced a new rule that made 9th level spells potentially available to a 1st Level character.

However, the LotFP rules can sometimes confound player expectations if they have played D&D. For example: Starting in Original D&D and throughout all the boxed sets, Halflings were always a variant of Fighter. But starting with (1st ed) AD&D and on through all the later versions of the game, Halflings were strongly encouraged to be Thieves. In LotFP, Halflings are more like the 2-5th editions’ Ranger.

And players who are used to using the rules to defeat the monster instead of role playing, who are used to Feats and Skills for all classes, won’t like the simplicity of the the LotFP system. 

There are some who think that LotFP is more dangerous than other games. And it is more dangerous than the 3-5 edition games that Wiz-bro puts out. But it’s not any more dangerous than the TSR versions of the game. The big difference is that in the TSR versions of D&D, your character could at any moment be chopped up by and axe-wielding Orc. In LotFP, your character might be pulled away to the home plane of the eldritch abomination that you Summoned and failed to take control of.

Nerd Dimension Podcast : The Couch Coop Convo

New podcast up, twist up, flip the cap and lay back as the nerds take you for another joy ride through fun fantasy and f##kery

 

In this episode our three terrible hosts discuss couch coop titles, some of the best games, a few undiscovered gems and give you their usual spiel. Apollo is still the overbearing intellectual, Gus is always trying to bring the balance as Mike continues to throw out crazy comments like they are going out of style. So sit back, relax and enjoy  🙂

 

Nerd Dimension TOS Ep 2 with guest David

They return !

The nerds return with another throwback installment in which we tackle many issues and of course go overboard with our sound effects and trolling. Apart from giving listeners our opinions on the listed below we through in our specific brand of humor as to offend only the most sensitive of listeners. We try to not make time sensitive content so that you will never feel like you are keeping up with a trend or listening to another pod-casting reviewing the newest products. By not having sponsors we have the liberty of talking about what we want, the way we want and pick and chose topics we feel may not have been discussed enough or from our position. In between day jobs, shows and other day to day BS we have to deal with we gotta vent somewhere about the shit we love so enjoy as we talk about:

– D&D Shadow Plague (Comic Review)
– Fairy Tale Fights Review (Xbox 360)
– Shadows  Over Camelot (Board Game Review)
– Book Recommendations
–  Apollo still hating on flat chested actresses portraying Wonder Woman !

And of course over the top sound effects !!!

 

 

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